IP65 600W CMY hybrid moving head with a 3°–42° beam, 7 replaceable gobos and an animation wheel, in 29 kg.
$2,079.00
| ✔ |
3°–42°: Three Fixtures In OneBeam To Wash
A pencil beam for entrances opens out to a wide wash from the same head
|
| ✔ |
CMY Mixing Plus 9 ColorsCTO + CTB
Mix the color you want with correction on board, plus a 3200K–6200K CTO range
|
| ✔ |
7 Replaceable Gobos + AnimationCloud · Fire · Water
Swap the rotating gobos yourself and add an animation wheel for moving texture
|
| ✔ |
Dual Rotating Prisms And Frost8-Facet + 3-Facet
Prisms and frost in one optic train, for soft wash through to hard beam
|
| ✔ |
IP65, 35 / 38 / 60CHRDM · Art-Net · sACN
Weather-sealed with 16-bit movement, four dimming curves and four speeds
|
$2,079.00
The beam travels from 3° to 42°. At the tight end it is a hard-edged pencil shaft that cuts through haze for an entrance or a build; open it up and 42° washes a full stage or a dance floor. Buying a narrow beam head and a separate wash head is the usual answer to that range — this fixture covers both jobs, which means fewer clamps, fewer power drops, fewer DMX addresses and a shorter load-in. Power draw is 850W, so a single 600W LED engine sits behind the whole range.
Color is where a hybrid head proves itself. CMY flags mix continuously, so you can ride a color across a whole song rather than snapping between two presets. On top of that sit a wheel of 9 colors including open, plus CTO and CTB. CTO adjusts linearly from 3200K to 6200K, which is what you use to pull a cool LED stage towards a warm, natural look — and CTB does the reverse. Both are on the console rather than in a gel book, so a color-temperature correction is a fader move.
The rotatable gobo wheel holds 7 replaceable gobos plus open, and because the wheel rotates, the pattern itself spins or travels across a stage instead of sitting frozen. Replaceable matters for touring: load your own designs before a run rather than working around what shipped. Then there is the animation wheel, which produces cloud, fire and water motion effects. That is the layer that makes a projected look read as moving weather or flame rather than a static pattern.
Prism 1 is an 8-facet rotatable and Prism 2 is a separate 3-facet rotatable, so one beam becomes 8 or 3 rotating shafts — and they can be layered or spun at different speeds for the mid-air looks that fill a room. When the moment calls for softness rather than a hard shaft, the frost effect diffuses the edge. Between the prisms, the gobo wheels, the animation wheel and the frost, the fixture has five independent ways to change a look without touching color.
Three DMX personalities let you fit the fixture to the console: 35CH for a compact patch, 38CH with more parameters broken out, and 60CH when you want every function on its own channel for full manual control. RDM supports addressing and setup over the DMX line, which saves walking the rig during a focus. Art-Net and sACN mean the fixture can be driven over a network instead of a cable run, which is what makes a distributed rig practical. Four dimming curves and four dimming speeds are selectable, so fades can be tuned to the desk and the look.
The fixture is IP65 rated, so dust and rain are covered — it can be specified for outdoor stages and permanent installations, not just covered rooms. At 29 kg (63.8 lb) in a 389 × 389 × 678 mm (15.3 × 15.3 × 26.7 in) body it is a touring-weight head that needs real mounting. Power runs on a True1 input, and data connects on 3-pin XLR with an integrated cable plus 5-pin XLR input/output — the combination that lets the same fixture patch into a professional 5-pin rack or a 3-pin line. Pan is 540° and tilt 270°, both on 16-bit scanning.
The beam travels from 3° to 42°. At the tight end it is a hard-edged pencil shaft that cuts through haze for an entrance or a build; open it up and 42° washes a full stage or a dance floor. Buying a narrow beam head and a separate wash head is the usual answer to that range — this fixture covers both jobs, which means fewer clamps, fewer power drops, fewer DMX addresses and a shorter load-in. Power draw is 850W, so a single 600W LED engine sits behind the whole range.
Color is where a hybrid head proves itself. CMY flags mix continuously, so you can ride a color across a whole song rather than snapping between two presets. On top of that sit a wheel of 9 colors including open, plus CTO and CTB. CTO adjusts linearly from 3200K to 6200K, which is what you use to pull a cool LED stage towards a warm, natural look — and CTB does the reverse. Both are on the console rather than in a gel book, so a color-temperature correction is a fader move.
The rotatable gobo wheel holds 7 replaceable gobos plus open, and because the wheel rotates, the pattern itself spins or travels across a stage instead of sitting frozen. Replaceable matters for touring: load your own designs before a run rather than working around what shipped. Then there is the animation wheel, which produces cloud, fire and water motion effects. That is the layer that makes a projected look read as moving weather or flame rather than a static pattern.
Prism 1 is an 8-facet rotatable and Prism 2 is a separate 3-facet rotatable, so one beam becomes 8 or 3 rotating shafts — and they can be layered or spun at different speeds for the mid-air looks that fill a room. When the moment calls for softness rather than a hard shaft, the frost effect diffuses the edge. Between the prisms, the gobo wheels, the animation wheel and the frost, the fixture has five independent ways to change a look without touching color.
Three DMX personalities let you fit the fixture to the console: 35CH for a compact patch, 38CH with more parameters broken out, and 60CH when you want every function on its own channel for full manual control. RDM supports addressing and setup over the DMX line, which saves walking the rig during a focus. Art-Net and sACN mean the fixture can be driven over a network instead of a cable run, which is what makes a distributed rig practical. Four dimming curves and four dimming speeds are selectable, so fades can be tuned to the desk and the look.
The fixture is IP65 rated, so dust and rain are covered — it can be specified for outdoor stages and permanent installations, not just covered rooms. At 29 kg (63.8 lb) in a 389 × 389 × 678 mm (15.3 × 15.3 × 26.7 in) body it is a touring-weight head that needs real mounting. Power runs on a True1 input, and data connects on 3-pin XLR with an integrated cable plus 5-pin XLR input/output — the combination that lets the same fixture patch into a professional 5-pin rack or a 3-pin line. Pan is 540° and tilt 270°, both on 16-bit scanning.
| Input power | AC 100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 850W |
| Voltage range | Universal — works on US and EU mains |
| Source | 600W LED |
| Average lifespan | 20,000 hours |
| Color | 9 colors + open + CTO + CTB + CMY |
| CTO temperature | 3200K–6200K linear adjustment |
| Linear dimming | 0–100% linear dimmer |
| Dimming control | 4 dimming curves + 4 dimming speeds |
| Strobe | 1–25Hz |
| Beam angle | 3°–42° |
| Rotatable gobo wheel | 7 replaceable gobos + open |
| Color wheel | 9 colors + open + CTO + CTB + CMY |
| Animation wheel | Cloud, fire and water effects |
| Prism 1 | 8-facet rotatable |
| Prism 2 | 3-facet rotatable |
| Frost | Frost effect |
| Protocol | DMX512 |
| DMX channels | 35CH / 38CH / 60CH (switchable) |
| DMX connector | 3-pin XLR input/output with integrated cable, and 5-pin input/output |
| Power connector | True1 input |
| Control modes | DMX / RDM / Art-Net / sACN |
| Pan | 540°, 16-bit scanning |
| Tilt | 270°, 16-bit scanning |
| Display | LCD color display |
| IP rating | IP65 — dust and rain protection, outdoor rated |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 389 × 389 × 678 mm (15.3 × 15.3 × 26.7 in) |
| Weight | 29 kg (63.8 lb) |
Reviews