15°–60° 300W dual-color LED fixture with motorized zoom and focus, 3200K / 5600K tuning and Ra > 97 CRI. The STUDIO LUX LK300 is a popular choice for theatres, studios and houses of worship.
$953.00
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Motorized Zoom & Focus15°–60°
Beam size and sharpness are set from the desk — the fixture holds focus as the zoom travels
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| ✔ |
Dual-Color White3200K / 5600K
Warm white and cool white mix on one body, with a dedicated color-temperature channel
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High CRI OutputRa > 97
Skin tones, costumes and fabrics render correctly on camera
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| ✔ |
16-Bit Flicker-Free Dimming65,535 steps
Curve dimming with 4096-level grayscale — no flicker or banding on camera
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| ✔ |
DMX512 Control7 CH
Dimmer, CW, WW, focus, zoom, strobe and color temperature — addressing set on the panel or pushed from a host fixture
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Shop by use case: Houses of Worship · Live Band & Stage · Touring & Production
$953.00
The LK300 is a 300W dual-color LED Leeko — a focusable imaging fixture — with a motorized 15°–60° zoom and a motorized focus system. Aim the fixture once and both the beam size and the focus are driven over DMX from the desk. That removes the single most common reason a fixture looks soft in the middle of a show: the beam was set by hand and the sharpness drifts when the rig moves. Operators keep a clean edge through the whole performance without going up to the fixture.
The LK300 mixes warm white and cool white LED output on one body, so a single fixture covers a warm tungsten-looking interior and a crisp daylight look. The two colors have their own dimming controls (CW and WW) and a dedicated color-temperature channel on the desk, with nominal color temperatures of 3200K ±100K and 5600K ±100K. The LED source is rated Ra > 97: skin tones, costumes, fabrics and products render correctly on camera instead of reading slightly wrong — the difference between a professional key light and a bright one.
A 4-digit digital tube and four keys (A / B / C / D) cover everything on the fixture itself: press A to cycle the main functions and use B / C to change values and D to confirm. The window shows the DMX address (A001–A512), CW and WW dimming, focus and zoom position, and the actual working temperature. Hold A for 3–4 seconds in DMX mode to open the background menu: CW / WW / POWER current, the lamp temperature limit, and the focus and zoom motor travel and trim — each with a factory default, so a venue tech can match the fixture to the rig without a console.
Dimming runs 0–100% with a 16-bit (65,535-step) curve dimming engine and 4096-level grayscale adjustment, so fades and color changes stay smooth, with no flicker, no striping and no stepping on camera. A built-in electronic strobe is available on its own DMX channel for effects work.
One 7-channel DMX512 mode covers the whole fixture: master dimmer, cool white, warm white, focus motor, zoom motor, strobe and color temperature. Addressing is set on the fixture’s own panel (A001–A512), and in master-slave setups the host fixture can push its settings to the slaves over the DMX link.
Power is AC 100–240V at 50/60Hz with a 300W maximum draw and a power factor of ≥ 0.92 at full load, on power in/out connectors so several fixtures can chain from one feed. Cooling is an intelligent temperature-controlled fan with a hydraulic bearing and up to 58 CFM of airflow, held to low noise for studios, theatres and corporate rooms. The housing is die-cast and extruded aluminum alloy in black; the body measures 725 × 370 × 260 mm and weighs 14 kg, with a working range of −20°C to +40°C. Packing is one fixture per carton (35.43 × 18.90 × 17.72 in, 27.56 lb).
A fixture with motorized zoom and motorized focus holds its image through a run without a technician going up to the rig, which is exactly what a theatre schedule needs. The 16-bit dimming engine gives a fade that behaves the way a lighting designer expects, and addressing is set on the panel or pushed from a host fixture as the rig changes.
Ra > 97 rendering and flicker-free 16-bit dimming are the two things that decide whether a light is usable on camera, and the 3200K / 5600K dual-white output lets one fixture match tungsten or daylight on a mixed set. The fan is held to low noise for sound capture.
Key light on a speaker and a clean color-temperature match on a brand backdrop are the two jobs a corporate stage needs most. Motorized zoom and focus mean a venue’s own crew can re-aim and refocus from the desk between sessions without access equipment.
Dual-white tuning lets a worship space match its key light to the room instead of living with whatever the fixture shipped as, and the smooth low-end dimming covers both a slow wash build and a sharp musical cut. Power in/out and the master-slave push make a permanent install straightforward to wire and to maintain, and the die-cast aluminum housing suits fixed positions.
The STUDIO LUX LK300 is rated IP20 and intended for indoor use — theatres, studios, conference rooms, churches and halls. It should not be rigged in rain, in an exposed outdoor position or in damp or dusty environments; for weather-exposed events choose an appropriately rated fixture from our outdoor range instead.
A controlled, focusable fixture like this is the backbone of precise light: theatres and small venue stages, TV and film studios, corporate stages, houses of worship and photo or streaming studios.
The LK300 is a 300W dual-color LED Leeko — a focusable imaging fixture — with a motorized 15°–60° zoom and a motorized focus system. Aim the fixture once and both the beam size and the focus are driven over DMX from the desk. That removes the single most common reason a fixture looks soft in the middle of a show: the beam was set by hand and the sharpness drifts when the rig moves. Operators keep a clean edge through the whole performance without going up to the fixture.
The LK300 mixes warm white and cool white LED output on one body, so a single fixture covers a warm tungsten-looking interior and a crisp daylight look. The two colors have their own dimming controls (CW and WW) and a dedicated color-temperature channel on the desk, with nominal color temperatures of 3200K ±100K and 5600K ±100K. The LED source is rated Ra > 97: skin tones, costumes, fabrics and products render correctly on camera instead of reading slightly wrong — the difference between a professional key light and a bright one.
A 4-digit digital tube and four keys (A / B / C / D) cover everything on the fixture itself: press A to cycle the main functions and use B / C to change values and D to confirm. The window shows the DMX address (A001–A512), CW and WW dimming, focus and zoom position, and the actual working temperature. Hold A for 3–4 seconds in DMX mode to open the background menu: CW / WW / POWER current, the lamp temperature limit, and the focus and zoom motor travel and trim — each with a factory default, so a venue tech can match the fixture to the rig without a console.
Dimming runs 0–100% with a 16-bit (65,535-step) curve dimming engine and 4096-level grayscale adjustment, so fades and color changes stay smooth, with no flicker, no striping and no stepping on camera. A built-in electronic strobe is available on its own DMX channel for effects work.
One 7-channel DMX512 mode covers the whole fixture: master dimmer, cool white, warm white, focus motor, zoom motor, strobe and color temperature. Addressing is set on the fixture’s own panel (A001–A512), and in master-slave setups the host fixture can push its settings to the slaves over the DMX link.
Power is AC 100–240V at 50/60Hz with a 300W maximum draw and a power factor of ≥ 0.92 at full load, on power in/out connectors so several fixtures can chain from one feed. Cooling is an intelligent temperature-controlled fan with a hydraulic bearing and up to 58 CFM of airflow, held to low noise for studios, theatres and corporate rooms. The housing is die-cast and extruded aluminum alloy in black; the body measures 725 × 370 × 260 mm and weighs 14 kg, with a working range of −20°C to +40°C. Packing is one fixture per carton (35.43 × 18.90 × 17.72 in, 27.56 lb).
A fixture with motorized zoom and motorized focus holds its image through a run without a technician going up to the rig, which is exactly what a theatre schedule needs. The 16-bit dimming engine gives a fade that behaves the way a lighting designer expects, and addressing is set on the panel or pushed from a host fixture as the rig changes.
Ra > 97 rendering and flicker-free 16-bit dimming are the two things that decide whether a light is usable on camera, and the 3200K / 5600K dual-white output lets one fixture match tungsten or daylight on a mixed set. The fan is held to low noise for sound capture.
Key light on a speaker and a clean color-temperature match on a brand backdrop are the two jobs a corporate stage needs most. Motorized zoom and focus mean a venue’s own crew can re-aim and refocus from the desk between sessions without access equipment.
Dual-white tuning lets a worship space match its key light to the room instead of living with whatever the fixture shipped as, and the smooth low-end dimming covers both a slow wash build and a sharp musical cut. Power in/out and the master-slave push make a permanent install straightforward to wire and to maintain, and the die-cast aluminum housing suits fixed positions.
The STUDIO LUX LK300 is rated IP20 and intended for indoor use — theatres, studios, conference rooms, churches and halls. It should not be rigged in rain, in an exposed outdoor position or in damp or dusty environments; for weather-exposed events choose an appropriately rated fixture from our outdoor range instead.
A controlled, focusable fixture like this is the backbone of precise light: theatres and small venue stages, TV and film studios, corporate stages, houses of worship and photo or streaming studios.
| Input power | AC 100–240V, 50/60Hz |
| Power consumption | 300W |
| Power factor | ≥ 0.92 (full load) |
| Power connection | Power in / out (daisy-chain) |
| LED | 300W high-efficiency LED |
| Color system | Dual-Color — Warm White + Cool White (mixing) |
| Color temperature | 3200K ±100K / 5600K ±100K |
| CRI | Ra > 97 |
| Beam angle | 15°–60° motorized zoom |
| Focus | Motorized focus (DMX controllable) |
| Secondary optics | High-efficiency reflector cup |
| Lens | Tempered glass |
| Dimming | 0–100%, 16-bit (65,535-step) curve dimming, 4096-level grayscale, flicker-free |
| Strobe | Built-in electronic strobe (DMX channel 6) |
| Protocol | DMX512, stand-alone, custom programs, master-slave |
| DMX channels | 7 |
| Display | 4-digit digital tube + 4 keys (A / B / C / D) |
| Cooling | Intelligent temperature-controlled fan — hydraulic bearing, up to 58 CFM, low noise |
| Housing | Die-cast & extruded aluminum alloy, black |
| IP rating | IP20 — indoor use |
| Working temperature | −20°C ~ +40°C |
| Dimensions (L×W×H) | 725 × 370 × 260 mm |
| Weight | 14 kg |
| Packing | 1 pc / carton — 35.43 × 18.90 × 17.72 in, gross weight 27.56 lb |
| Standards | GB7000.1-2007 / IEC60598-1:2003; GB7000.217-2008 / IEC60598-2-17:1984+A2:1990 |
Set the start address (A001–A512) on the control panel; the seven channels then start from that address.
| CH | Function | Value |
| 1 | Master dimmer | 000–255 — linear dimming, dark to bright |
| 2 | Cool white (CW) | 000–255 |
| 3 | Warm white (WW) | 000–255 |
| 4 | Focus motor | 000–255 |
| 5 | Zoom motor | 000–255 |
| 6 | Strobe | 000–255 |
| 7 | Color temperature | 000–255 |
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