2 × DVI OUT seamless video switcher with five digital and analog inputs plus USB playback, out to 1920×1280 @ 60Hz.
$589.00
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Seamless Channel SwitchingNo Black Flash
Cuts between sources with synchronised audio and video instead of a visible glitch
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Five Inputs Plus USBDVI · HDMI · VGA · BNC
One rack unit takes the laptop, the camera, the media player and the composite feed
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Two DVI-I OutputsTo 1920×1280 @ 60Hz
A main screen and a confidence feed off one box, without a second switcher
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USB Playback, No ComputerPlug And Play
Runs RM, MP4, MOV, MKV and more straight from a stick when the laptop is not there
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Signal Hot Backup & Key LockScene Presets
Automatic failover plus one-touch blackout and locked front panel during the show
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$589.00
Every source change on a normal switcher costs you a visible black frame and a moment of dead air. The 2P switches channels seamlessly, keeping audio and video locked together, so cutting from the wide camera to the close-up on an LED wall looks like one continuous feed. For live events where the screen is part of the performance, that is the whole reason to own a dedicated processor.
DVI-I, HDMI-A, DB15 VGA and BNC composite video are all on the back of the same chassis, plus USB for direct playback. In practice that means the camera feed, the presenter's laptop, an older VGA source and a legacy composite signal can all be patched without a rack of converters. Fewer adaptors in the chain is fewer points of failure on show day.
The two DVI-I outputs run up to 1920×1280 at 60Hz, with a full set of supported resolutions including 1920×1080@60Hz, 1920×1200@60Hz, 1600×1200@60Hz and 1280×1024@60Hz. You can drive a main screen and a secondary destination from the same unit, and match the output to what the display actually wants rather than forcing a scaler into the chain.
Load video and image files onto a USB stick and play them straight from the switcher. Video formats cover RM, RMVB, MP4, MOV, MKV, WMV, AVI and 3GP, and images cover JPG, JPEG, PNG and BMP. For a venue that needs a looping logo, a sponsor reel or a playlist between sets, that removes a laptop, a playback operator and one more thing to go wrong.
The 2P supports a hot backup signal path, so if the primary source stutters or drops the backup takes over and the screen keeps running. On a corporate keynote or a broadcast feed, that redundancy is the difference between a recoverable glitch and a room full of people watching a black rectangle.
A one-touch black screen blanks the output instantly for a clean scene change. Scene presets save and recall complete setups in a moment, so the same rig comes back the way it was at the last show. And the key lock prevents accidental changes during use — the single most common cause of a screen going wrong mid-event.
The chassis measures 19 × 10 × 2.5 in and weighs 3.5 kg (7.7 lb), with a box size of 17.32 × 9.84 × 2.28 in for shipping. It runs on AC 100–240V at 50/60Hz and operates between −10°C and 40°C, which covers everything from a cold load-in dock to a hot booth.
Every source change on a normal switcher costs you a visible black frame and a moment of dead air. The 2P switches channels seamlessly, keeping audio and video locked together, so cutting from the wide camera to the close-up on an LED wall looks like one continuous feed. For live events where the screen is part of the performance, that is the whole reason to own a dedicated processor.
DVI-I, HDMI-A, DB15 VGA and BNC composite video are all on the back of the same chassis, plus USB for direct playback. In practice that means the camera feed, the presenter's laptop, an older VGA source and a legacy composite signal can all be patched without a rack of converters. Fewer adaptors in the chain is fewer points of failure on show day.
The two DVI-I outputs run up to 1920×1280 at 60Hz, with a full set of supported resolutions including 1920×1080@60Hz, 1920×1200@60Hz, 1600×1200@60Hz and 1280×1024@60Hz. You can drive a main screen and a secondary destination from the same unit, and match the output to what the display actually wants rather than forcing a scaler into the chain.
Load video and image files onto a USB stick and play them straight from the switcher. Video formats cover RM, RMVB, MP4, MOV, MKV, WMV, AVI and 3GP, and images cover JPG, JPEG, PNG and BMP. For a venue that needs a looping logo, a sponsor reel or a playlist between sets, that removes a laptop, a playback operator and one more thing to go wrong.
The 2P supports a hot backup signal path, so if the primary source stutters or drops the backup takes over and the screen keeps running. On a corporate keynote or a broadcast feed, that redundancy is the difference between a recoverable glitch and a room full of people watching a black rectangle.
A one-touch black screen blanks the output instantly for a clean scene change. Scene presets save and recall complete setups in a moment, so the same rig comes back the way it was at the last show. And the key lock prevents accidental changes during use — the single most common cause of a screen going wrong mid-event.
The chassis measures 19 × 10 × 2.5 in and weighs 3.5 kg (7.7 lb), with a box size of 17.32 × 9.84 × 2.28 in for shipping. It runs on AC 100–240V at 50/60Hz and operates between −10°C and 40°C, which covers everything from a cold load-in dock to a hot booth.
| Input power | AC 100–240V |
| Power frequency | 50/60Hz |
| Interface | DVI-I socket |
| Signal standard | DVI 1.0, HDMI 1.3 (backward compatible) |
| Resolution | Supports VESA standard; PC up to 1920×1200, HD up to 1080p |
| Interface | HDMI-A |
| Signal standard | HDMI 1.3 (backward compatible) |
| Resolution | Supports VESA standard; up to 1920×1200 for PC, up to 1080p for HD |
| Interface | DB15 socket |
| Signal standard | R, G, B, H sync, V sync: 0–1 Vpp ±3 dB (0.7 V video + 0.3 V sync) |
| Impedance / black level | 75 Ω, 300 mV |
| Sync tip level | 0 V |
| Maximum resolution | VESA standard, up to 1920 × 1200 @ 60 Hz |
| Interface | BNC |
| Signal standard | PAL / NTSC, 1 Vpp ±3 dB (0.7 V video + 0.3 V sync), 75 Ω |
| Resolution | 480i (NTSC), 576i (PAL) |
| Video standard | 1280 × 720 @ 60 Hz |
| Supported video formats | RM, RMVB, MP4, MOV, MKV, WMV, AVI, 3GP |
| Supported image formats | JPG, JPEG, PNG, BMP |
| Interface | Two DVI-I sockets |
| Signal standard | DVI 1.0 for DVI input; VESA standard for VGA input |
| Supported resolutions | 1024 × 768 @ 60 Hz · 1280 × 1024 @ 60 Hz · 1600 × 1200 @ 60 Hz · 1920 × 1080 @ 60 Hz · 1920 × 1200 @ 60 Hz · 1024 × 1280 @ 60 Hz · 1920 × 1280 @ 60 Hz |
| Switching | Seamless channel switching with synchronised audio and video |
| Backup | Signal hot backup for stable performance in critical situations |
| Black screen | One-touch black screen |
| Presets | Save and recall scene presets |
| Panel security | Key lock prevents accidental changes during use |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 19 × 10 × 2.5 in |
| Weight | 3.5 kg (7.7 lb) |
| Box size | 17.32 in (L) × 9.84 in (W) × 2.28 in (H) |
| Weather rating | No IP rating — indoor rack installation |
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