120W White LED spot with a 29pcs RGB halo running a 6+12 double-layer prism, 7 gobos and 22CH over an 8°–14° beam.
$519.00
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120W White Engine, Not An RGB Mix7500K
A dedicated white source that stays bright when color fixtures wash out
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29pcs RGB Halo RingIndependently Controlled
A second effect layer around the lens, addressed on its own channels
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6+12 Double-Layer PrismInstant Texture
One command splits the beam into a layered aerial effect
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7 Gobos, 7 ColorsRainbow Included
Both wheels plus a continuous rainbow sweep for texture and color
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6.75 kg, 540° / 270°22CH · 8 Or 16-Bit
Small enough for a one-person load-in, precise enough for accurate cueing
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Shop by use case: Club & Bar · Mobile DJ · Special Event
$519.00
The SPOTTY LED 150 runs a single 120W white LED at 7500K behind an 8°–14° beam angle. That is the reason its output punches: white emitters are more efficient than mixing white out of red, green and blue diodes, so you get more usable light from a 150W draw. On a small stage, a bar floor or a booth, the spot still cuts through ambient light and reads clearly from the back of the room. The color wheel does the color work instead, with 7 colors plus open and a rainbow effect.
A ring of 29 RGB LEDs surrounds the main lens and runs on its own channels. That means the halo can sit on a deep blue or a slow color chase while the white spot stays clean and focused on the performer, or the two can move together for a single saturated look. It is the difference between a fixture that lights someone up and a fixture that gives the room a mood at the same time — useful when you are running two lights and need them to look like four.
The prism holds a 6-facet and a 12-facet layer, and both rotate. Flipping the prism turns one hard beam into a fan of beams that spreads across a room — the fastest way to fill a chorus or make a drop land without touching a gobo wheel. Combined with the 7-gobo static wheel and the rainbow effect, you have three independent ways to change the look mid-song from the console.
22 DMX channels cover pan, tilt, color, gobo, prism, dimmer, strobe and the halo ring separately, so nothing is locked to anything else while you are programming. Pan travels 540° and tilt 270°, both with 8-bit or 16-bit scanning selectable. 16-bit is the mode for smooth movement on slow sweeps; 8-bit keeps the channel count down when the console is already busy. DMX, Master-Slave, Auto and Sound modes are all built in.
The strobe range starts at 0.3Hz — a slow, deliberate pulse rather than the usual fast-only flash — and runs to 25Hz for a hard strobe on the peak. Linear 0–100% dimming means a fade on the desk is a fade in the room, with no visible stepping as the level comes down. Together they cover the slow build and the hit, which is what a DJ set actually asks for.
At 6.75 kg (14.9 lb) in a 420 × 305 × 300 mm (16.5 × 12.0 × 11.8 in) body, the SPOTTY LED 150 hangs from a T-bar, a light stand or a low truss without a second pair of hands and without a lift. Power runs on PowerCon input/output and DMX on 3-pin XLR input/output, so a pair chains together on one power run and a short DMX run — a real difference when you are setting up and striking the same rig every weekend.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
The SPOTTY LED 150 runs a single 120W white LED at 7500K behind an 8°–14° beam angle. That is the reason its output punches: white emitters are more efficient than mixing white out of red, green and blue diodes, so you get more usable light from a 150W draw. On a small stage, a bar floor or a booth, the spot still cuts through ambient light and reads clearly from the back of the room. The color wheel does the color work instead, with 7 colors plus open and a rainbow effect.
A ring of 29 RGB LEDs surrounds the main lens and runs on its own channels. That means the halo can sit on a deep blue or a slow color chase while the white spot stays clean and focused on the performer, or the two can move together for a single saturated look. It is the difference between a fixture that lights someone up and a fixture that gives the room a mood at the same time — useful when you are running two lights and need them to look like four.
The prism holds a 6-facet and a 12-facet layer, and both rotate. Flipping the prism turns one hard beam into a fan of beams that spreads across a room — the fastest way to fill a chorus or make a drop land without touching a gobo wheel. Combined with the 7-gobo static wheel and the rainbow effect, you have three independent ways to change the look mid-song from the console.
22 DMX channels cover pan, tilt, color, gobo, prism, dimmer, strobe and the halo ring separately, so nothing is locked to anything else while you are programming. Pan travels 540° and tilt 270°, both with 8-bit or 16-bit scanning selectable. 16-bit is the mode for smooth movement on slow sweeps; 8-bit keeps the channel count down when the console is already busy. DMX, Master-Slave, Auto and Sound modes are all built in.
The strobe range starts at 0.3Hz — a slow, deliberate pulse rather than the usual fast-only flash — and runs to 25Hz for a hard strobe on the peak. Linear 0–100% dimming means a fade on the desk is a fade in the room, with no visible stepping as the level comes down. Together they cover the slow build and the hit, which is what a DJ set actually asks for.
At 6.75 kg (14.9 lb) in a 420 × 305 × 300 mm (16.5 × 12.0 × 11.8 in) body, the SPOTTY LED 150 hangs from a T-bar, a light stand or a low truss without a second pair of hands and without a lift. Power runs on PowerCon input/output and DMX on 3-pin XLR input/output, so a pair chains together on one power run and a short DMX run — a real difference when you are setting up and striking the same rig every weekend.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
| Input power | AC 100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 150W |
| Fuse | 5A |
| Voltage range | Universal — works on US and EU mains |
| Main | 120W white LED, CCT 7500K |
| Halo ring | 29pcs RGB LED |
| Average lifespan | 50,000 hours |
| Color wheel | 7 colors + open |
| Linear dimming | 0–100% linear dimmer |
| Strobe | 0.3–25Hz |
| Beam angle | 8°–14° |
| Prism | 6+12 double-layer prism |
| Static gobo wheel | 7 gobos + open |
| Color wheel | 7 colors + open, with rainbow effect |
| Halo ring | 29pcs RGB LED, independently controllable |
| Protocol | DMX512 |
| DMX channels | 22CH |
| DMX connector | 3-pin XLR input/output |
| Power connector | PowerCon input/output |
| Control modes | DMX / Master-Slave / Auto / Sound |
| Pan | 540°, 8/16 bit scanning |
| Tilt | 270°, 8/16 bit scanning |
| Display | LCD color display with 5 buttons |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 420 × 305 × 300 mm (16.5 × 12.0 × 11.8 in) |
| Weight | 6.75 kg (14.9 lb) |
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