235W RGB strobe and blinder bar with 112 white LEDs, 48 addressable RGB segments and up to 152CH of DMX.
From $169.00
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48 Addressable RGB SegmentsNot 8
Chases and splits run in fine detail, so the bar reads as a pattern, not a blur
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235W And 112 White LEDsHigh Brightness
A white bank that genuinely blinds, with the draw to sustain it
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Up To 152 DMX Channels4 / 15 / 152CH
Patch for speed or take every segment individually when the look needs it
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120° Beam From One UnitFewer Fixtures
Wide enough to cover a stage front with two or three bars, not six
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3.6 kg, 10 To A Road CaseShips Ready
A weight and pack size that make touring a full strobe line practical
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Shop by use case: Club & Bar · Mobile DJ · Special Event
From $169.00
This is the headline change from the standard 960B. Where the 960B splits its color into 8 RGB sections, the 960B II splits into 48. A chase no longer jumps from block to block — it rolls. Waves, races and color gradients travel down the bar in smooth increments, which is what makes a bar of light look programmed rather than switched on. The 8 white segments stay where they were, so the strobe layout is familiar if you already run PULSARIS units.
Power climbs to 235W, and the dedicated white strobe bank grows to 112 SMD5050 LEDs. In practice that means the white hit is brighter and holds its own against a full color wash, instead of getting lost under it. For a club or a touring rig running haze, that extra white headroom is the difference between a strobe you feel and a strobe you notice.
The 960B II carries four personalities: 4CH, 15CH and the full 152CH. At 152CH every one of the 48 RGB segments and 8 white segments answers to its own channels, so you can offset patterns, run a gradient across the bar, or hold half the fixture in a static color while the other half chases. Four channels when you are short on universe, 152 when you are not.
The color side of the fixture is grouped more finely than the standard 960B was, so the II trades raw LED count for resolution. Those extra segments are the whole point: they let a pattern travel rather than jump, and they let a designer hold one half of the bar in a static color while the other half runs a chase. If you are buying this fixture for programmed looks, that is the feature you are paying for.
The wide 120° beam angle is unchanged from the 960B, and it is the reason two or three units can cover a mid-sized stage rather than six narrow fixtures. Fewer positions means less truss, less cable and a quicker load-out at 1am — which is the part of the job nobody puts in the spec sheet.
The fixture ships with high-brightness strobe and a full set of macro effects already loaded, covering color chasing, racing and pulsing. On a one-nighter you can pull up a macro and look prepared without writing a cue. Linears dimming runs the full 0–100% range and the strobe spans 1–25Hz, so fades stay clean and the strobe can be set from a slow throb to a full-speed hit.
At 3.6 kg (7.9 lb) with PowerCon in/out and 3-pin XLR, the 960B II is built to be handled night after night. PowerCon daisy-chaining keeps the power runs short when you hang a row of them. The 10 PCS & 1 ROAD CASE package at $1,849 arrives as one flight-ready box, so a full rig checks in as a single case instead of ten loose fixtures.
Strobes and effect bars are the punctuation of the night: club drops, band peaks, DJ booths, small venue shows and party moments.
This is the headline change from the standard 960B. Where the 960B splits its color into 8 RGB sections, the 960B II splits into 48. A chase no longer jumps from block to block — it rolls. Waves, races and color gradients travel down the bar in smooth increments, which is what makes a bar of light look programmed rather than switched on. The 8 white segments stay where they were, so the strobe layout is familiar if you already run PULSARIS units.
Power climbs to 235W, and the dedicated white strobe bank grows to 112 SMD5050 LEDs. In practice that means the white hit is brighter and holds its own against a full color wash, instead of getting lost under it. For a club or a touring rig running haze, that extra white headroom is the difference between a strobe you feel and a strobe you notice.
The 960B II carries four personalities: 4CH, 15CH and the full 152CH. At 152CH every one of the 48 RGB segments and 8 white segments answers to its own channels, so you can offset patterns, run a gradient across the bar, or hold half the fixture in a static color while the other half chases. Four channels when you are short on universe, 152 when you are not.
The color side of the fixture is grouped more finely than the standard 960B was, so the II trades raw LED count for resolution. Those extra segments are the whole point: they let a pattern travel rather than jump, and they let a designer hold one half of the bar in a static color while the other half runs a chase. If you are buying this fixture for programmed looks, that is the feature you are paying for.
The wide 120° beam angle is unchanged from the 960B, and it is the reason two or three units can cover a mid-sized stage rather than six narrow fixtures. Fewer positions means less truss, less cable and a quicker load-out at 1am — which is the part of the job nobody puts in the spec sheet.
The fixture ships with high-brightness strobe and a full set of macro effects already loaded, covering color chasing, racing and pulsing. On a one-nighter you can pull up a macro and look prepared without writing a cue. Linears dimming runs the full 0–100% range and the strobe spans 1–25Hz, so fades stay clean and the strobe can be set from a slow throb to a full-speed hit.
At 3.6 kg (7.9 lb) with PowerCon in/out and 3-pin XLR, the 960B II is built to be handled night after night. PowerCon daisy-chaining keeps the power runs short when you hang a row of them. The 10 PCS & 1 ROAD CASE package at $1,849 arrives as one flight-ready box, so a full rig checks in as a single case instead of ten loose fixtures.
Strobes and effect bars are the punctuation of the night: club drops, band peaks, DJ booths, small venue shows and party moments.
| Input power | AC100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 235W |
| Voltage range | Universal — works on US and EU mains |
| RGB LED | 768pcs SMD5050 RGB 3in1 LED |
| White LED | 112pcs White SMD5050 LED |
| Average lifespan | 50,000 hours |
| Color | RGB + White |
| Linear dimming | 0–100% Linear Dimmer |
| Strobe | 1–25Hz |
| Beam angle | 120° |
| Segment control | 48 RGB segments and 8 white LED segments chasing + strobe |
| Strobe | High brightness strobe |
| Built-in effects | Macro effects |
| Protocol | DMX512 |
| DMX channels | 4/15/152CH |
| DMX connector | DMX 3-Pin XLR input/output |
| Power connector | PowerCon input/output |
| Control modes | DMX / Master-Slave / Auto / Sound |
| Display | LED display |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 448 × 210 × 175 mm (17.6 × 8.3 × 6.9 in) |
| Weight | 3.6 kg (7.9 lb) |
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