1.5° 200W beam with triple rotating prisms carrying 15 metal plus 2 glass gobos and a 54-piece RGB LED halo ring. The JUBARIS BEAM L200 is a popular choice for clubs, theatre stages and touring rigs.
From $609.00
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1.5° Beam That Cuts Haze200W LED @ 7500K
A razor shaft that holds a defined edge across the room on a fogged floor
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Three Rotating Prisms8 + 16 + 24-Facet
An 8-facet plus a combined 8/16/24 prism for layered aerial patterns
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15 Metal + 2 Glass GobosSplit · Rainbow · Frost
A deep gobo wheel with color effects for real show builds
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54-Piece RGB Halo RingAdds Depth
A wide color ring around the aperture, controllable on its own channels
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13.5 kg, 19CH2 Per Road Case
16-bit movement and four control modes in a touring-ready package
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Shop by use case: Club & Bar · Houses of Worship · Live Band & Stage · Mobile DJ
From $609.00
The 1.5° beam angle is the whole point of this fixture. A 200W LED engine pushed through that narrow an angle produces a hard-edged shaft that holds its shape across a room, which is what makes haze and fog look like light instead of smoke. Hang it on a truss over a dance floor or a stage and the beams read from the back of the room — the thing a wide wash fixture cannot do, no matter how bright it is.
Prism1 gives you an 8-facet rotating prism for a clean wheel of secondary beams. Prism2 combines 8-, 16- and 24-facet rotating prisms for a denser, layered effect that looks like several fixtures firing at once. Running one prism gives definition; stacking them gives depth. Both are selectable from the console, so one beam head covers the effect work you would otherwise need a second fixture for.
15 metal gobos and 2 glass gobos, plus an open position, give you breakups, patterns and textures without adding a spot fixture to the rig. Metal gobos hold up to long, hot shows, while the two glass gobos give you the crisper, more detailed projections used in theatre and corporate work. The open slot lets you step straight from a projected pattern to a clean hard beam in one cue.
A 54 pcs RGB LED ring surrounds the main beam, and it is more useful than it sounds. It adds an ambient color accent around the beam so the fixture still contributes light when the beam is pointed away from the audience, and it carries its own built-in macros for movement and color. Paired with wash fixtures, it blends the hard beams into the rest of the rig instead of leaving them floating.
19CH gives you a single, predictable channel map covering beam, color, gobo, prism, pan and tilt. Alongside straight DMX the head runs Master-Slave, Auto and Sound modes, so it can be dropped into a small rig with no console at all — plug in, select a mode and let it run. Built-in macros produce full looks instantly when there is no time to program.
Various built-in macro effects are programmed into the head and activate immediately, which matters on tours, corporate jobs and festival changeovers where the lighting has to look intentional within minutes of load-in. The macros pair the beam, prisms, gobos and halo ring into ready-made looks, so a technician with no time on the console still gets a designed result.
16-bit scanning on both axes makes every move smooth rather than stepped, which is what separates a professional feel from a budget one on slow, dramatic cues. The 540° pan and 270° tilt range covers a wide stage or an entire dance floor from a single truss position, so fewer fixtures reach further. A 350W draw on AC100–240V keeps a full rig inside a normal power budget.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
The 1.5° beam angle is the whole point of this fixture. A 200W LED engine pushed through that narrow an angle produces a hard-edged shaft that holds its shape across a room, which is what makes haze and fog look like light instead of smoke. Hang it on a truss over a dance floor or a stage and the beams read from the back of the room — the thing a wide wash fixture cannot do, no matter how bright it is.
Prism1 gives you an 8-facet rotating prism for a clean wheel of secondary beams. Prism2 combines 8-, 16- and 24-facet rotating prisms for a denser, layered effect that looks like several fixtures firing at once. Running one prism gives definition; stacking them gives depth. Both are selectable from the console, so one beam head covers the effect work you would otherwise need a second fixture for.
15 metal gobos and 2 glass gobos, plus an open position, give you breakups, patterns and textures without adding a spot fixture to the rig. Metal gobos hold up to long, hot shows, while the two glass gobos give you the crisper, more detailed projections used in theatre and corporate work. The open slot lets you step straight from a projected pattern to a clean hard beam in one cue.
A 54 pcs RGB LED ring surrounds the main beam, and it is more useful than it sounds. It adds an ambient color accent around the beam so the fixture still contributes light when the beam is pointed away from the audience, and it carries its own built-in macros for movement and color. Paired with wash fixtures, it blends the hard beams into the rest of the rig instead of leaving them floating.
19CH gives you a single, predictable channel map covering beam, color, gobo, prism, pan and tilt. Alongside straight DMX the head runs Master-Slave, Auto and Sound modes, so it can be dropped into a small rig with no console at all — plug in, select a mode and let it run. Built-in macros produce full looks instantly when there is no time to program.
Various built-in macro effects are programmed into the head and activate immediately, which matters on tours, corporate jobs and festival changeovers where the lighting has to look intentional within minutes of load-in. The macros pair the beam, prisms, gobos and halo ring into ready-made looks, so a technician with no time on the console still gets a designed result.
16-bit scanning on both axes makes every move smooth rather than stepped, which is what separates a professional feel from a budget one on slow, dramatic cues. The 540° pan and 270° tilt range covers a wide stage or an entire dance floor from a single truss position, so fewer fixtures reach further. A 350W draw on AC100–240V keeps a full rig inside a normal power budget.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
| Input power | AC 100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 350W |
| Fuse | 5A |
| Voltage range | Universal — works on US and EU mains |
| Main source | 200W LED |
| CCT | 7500K |
| Halo ring | 54 pcs RGB LED |
| Average lifespan | 50,000 hours |
| Color wheel | 14 colors + open |
| Effects | Frost + rainbow effect |
| Split color | Yes |
| Beam angle | 1.5° |
| Cooling method | Fan cool |
| Dimming | 0–100% linear dimmer |
| Strobe | 1–25Hz |
| Prism1 | 8-facet rotating |
| Prism2 | 8 + 16 + 24-facet rotating prism |
| Gobo | 15 metal gobos + 2 glass gobos + open |
| Color | 14 color + open, split color, rainbow, frost |
| Protocol | DMX512 |
| DMX channels | 19CH |
| DMX connector | 3-pin XLR input and output |
| Power connector | PowerCon input/output |
| Control modes | DMX / Master-Slave / Auto / Sound |
| Pan | 540°, 16-bit scanning |
| Tilt | 270°, 16-bit scanning |
| Display | LCD touch display with 4 buttons |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 293 × 240 × 572 mm (11.5 × 9.5 × 22.5 in) |
| Weight | 13.5 kg (29.8 lb) |
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