5,840 LUX 19 × 15W RGBW moving head wash with a 10°–60° motorized zoom, 3-ring segment control and 540° / 270° movement.
$259.00
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Zoom From 10° To 60°Motorized
A tight beam for entrances opens out to a full wash from the console
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3-Ring Segment ControlInner · Mid · Outer
The face breaks into rings for layered color and chase effects
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19 × 15W RGBW5,840 LUX At 5 m
Measured illuminance that holds up on a stage, not a chip datasheet figure
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Pan And Tilt On Encoders540° / 270° · 16-Bit
Non-touching magnetic encoders keep position accurate when the road is rough
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16CH Or 24CHMacros Built In
Patch for speed or for detail, with macro effects when programming time runs out
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Shop by use case: Club & Bar · Mobile DJ · Special Event
$259.00
Nineteen 15W RGBW LEDs give the 1915Z enough color mixing headroom to move between bold saturated hues and subtle pastel tones without changing anything on the fixture. Measured output is 5,840 LUX at 5 m with everything at full, which is real stage-level punch rather than a number that only works in a dark room. For a working DJ or a theatre lighting designer, that spread is the difference between a color wash that reads on camera and one that turns into a gray blob.
The motorized zoom travels the full 10°–60° range from the desk, so the same head can cut a narrow beam through haze for a build-up and then open into a wide wash across the floor. That is one fixture doing the job of a beam head and a wash head, which matters when the budget, the truss space or the truck is already tight. Nothing to refocus by hand once the rig is up.
The LEDs are not one solid block. Three-ring segment control lets you run each ring independently, so you can hold a band of color at the center while a chase travels around the outside, or build concentric looks that move as the head pans. That layering is what separates an effects-capable wash head from a plain color wash and gives a show something to look at between songs.
Movement runs 540° pan and 270° tilt at 16-bit resolution, controlled by non-touching magnetic encoders. Magnetic means no contact wear and no drift as the fixture heats up, so the head returns to the same position after a hundred shows rather than creeping off its mark. Exact positioning matters when a look depends on hitting one performer in one spot.
Two personalities live in the same fixture: 16CH for fast patching and quick programming, 24CH when the show needs every parameter available. Built-in macro effects cover pre-programmed scenes, which is the practical answer when you are setting up an hour before doors and there is no time to build looks from scratch. DMX, Master-Slave, Auto and Sound modes cover every operating situation from a festival to a bar.
At 325 × 293 × 542 mm and 8.5 kg (18.7 lb) it is light enough for one person to hang, and PowerCon in/out plus 3-pin XLR in/out let you daisy-chain power and data along the truss instead of running a home run for each head. The LEDs are rated for 50,000 hours, so the fixture is built for years of weekend work.
AC 100–240V, 50/60Hz with a 230W draw means it travels between US and European power without a step-down transformer. At $259 a head you can start with two and grow the rig as the bookings come in — and every order carries free USA shipping on most products, a 2-year warranty and a 30-day return policy.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
Nineteen 15W RGBW LEDs give the 1915Z enough color mixing headroom to move between bold saturated hues and subtle pastel tones without changing anything on the fixture. Measured output is 5,840 LUX at 5 m with everything at full, which is real stage-level punch rather than a number that only works in a dark room. For a working DJ or a theatre lighting designer, that spread is the difference between a color wash that reads on camera and one that turns into a gray blob.
The motorized zoom travels the full 10°–60° range from the desk, so the same head can cut a narrow beam through haze for a build-up and then open into a wide wash across the floor. That is one fixture doing the job of a beam head and a wash head, which matters when the budget, the truss space or the truck is already tight. Nothing to refocus by hand once the rig is up.
The LEDs are not one solid block. Three-ring segment control lets you run each ring independently, so you can hold a band of color at the center while a chase travels around the outside, or build concentric looks that move as the head pans. That layering is what separates an effects-capable wash head from a plain color wash and gives a show something to look at between songs.
Movement runs 540° pan and 270° tilt at 16-bit resolution, controlled by non-touching magnetic encoders. Magnetic means no contact wear and no drift as the fixture heats up, so the head returns to the same position after a hundred shows rather than creeping off its mark. Exact positioning matters when a look depends on hitting one performer in one spot.
Two personalities live in the same fixture: 16CH for fast patching and quick programming, 24CH when the show needs every parameter available. Built-in macro effects cover pre-programmed scenes, which is the practical answer when you are setting up an hour before doors and there is no time to build looks from scratch. DMX, Master-Slave, Auto and Sound modes cover every operating situation from a festival to a bar.
At 325 × 293 × 542 mm and 8.5 kg (18.7 lb) it is light enough for one person to hang, and PowerCon in/out plus 3-pin XLR in/out let you daisy-chain power and data along the truss instead of running a home run for each head. The LEDs are rated for 50,000 hours, so the fixture is built for years of weekend work.
AC 100–240V, 50/60Hz with a 230W draw means it travels between US and European power without a step-down transformer. At $259 a head you can start with two and grow the rig as the bookings come in — and every order carries free USA shipping on most products, a 2-year warranty and a 30-day return policy.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
| Input power | AC 100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 230W |
| Voltage range | Universal — works on US and EU mains |
| Source | 19 × 15W RGBW LED |
| Illuminance | 5,840 LUX at 5 m (full on) |
| Average lifespan | 50,000 hours |
| Color mixing | RGBW |
| Dimming | 0–100% linear dimmer |
| Strobe | 1–25Hz |
| Beam angle | 10°–60° |
| Zoom | 10°–60° motorized |
| Macro effects | Built-in macro effects |
| Color mixing | RGBW color mixing |
| Segment control | 3-ring segment control |
| Pan | 540°, 16-bit |
| Tilt | 270°, 16-bit |
| Positioning | Non-touching magnetic encoders |
| DMX channels | 16CH / 24CH |
| DMX connector | 3-pin XLR input/output |
| Power connector | PowerCon input/output |
| Control modes | DMX / Master-Slave / Auto / Sound |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 325 × 293 × 542 mm (12.8 × 11.5 × 21.3 in) |
| Weight | 8.5 kg (18.7 lb) |
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