2 + 2 × 50W Dual white LED wash par blending warm and cool emitters on a 25° beam at a 190W draw, in 2.4 kg. The DUALTONE PAR L450 is a popular choice for karaoke bars, mobile DJ booths and band stages.
From $109.00
| ✔ |
Warm And Cool On Separate Channels2 × 50W Each
Dial any white from candle-warm to studio-cool without gels or extra fixtures
|
| ✔ |
Any White You Need, LiveWW / CW
Match the room, the camera or the practical lights from the console
|
| ✔ |
25° BeamLands Where You Aim
Focused enough to feature a person, wide enough to wash a stage section
|
| ✔ |
Strobe, Fade And Pulse MacrosBuilt In
Texture available on the night when there is no time to program
|
| ✔ |
2.4 kg, 4CH Or 8CH190W Draw
Light enough to hang anywhere, on standard 3-pin DMX and IEC power
|
From $109.00
The DUALTONE PAR L450 carries 2×50W warm white and 2×50W cool white emitters side by side, which means the white you use is a decision you make on the console rather than a fixture you have to buy. Crossfade warm into cool during a show to follow the mood, or set a mixed white and leave it. For anyone who has ever carried a warm par and a cool par to the same gig and used one of them all night, this is the fixture that solves it: one SKU, two color temperatures, no gel.
Warm white is what you want for a speech, a toast, a house of worship service or a warm stage look. Cool white is what you want for camera, for a product table, for a crisp key light on a performer, or for a modern club interior. Because both live in the same fixture, you can tune the white to the room instead of settling for whichever par you happened to bring — and you can change it between songs without swapping a single fixture.
Strobe, fade and pulse macros are already in the fixture, along with the warm white and cool white washing effect. That gives you movement and texture without buying a second light or hand-building a cue. On a DJ set, a live show or a quick-turn production, pulling a macro up on a fader is a faster path to a look that reads as designed than programming one from scratch on a small desk.
The 25° beam angle sits between a narrow spot and a wide flood. It is tight enough to put a clean pool of white on a performer, a podium or a cake table, and open enough to wash a small stage or a backdrop without a visible hot spot. If your room has a low ceiling or your subjects are close, 25° is the angle that gives you control instead of a broad light you cannot shape.
At 190W the fixture draws a fraction of what an equivalent tungsten par would, so more units fit on one circuit before you start running extra power — worth planning around in older venues and temporary setups. The LEDs are rated for 50,000 hours, which means the light engine is not a consumable: no lamp changes, no color shift with age, no ordering spares. Linear 0–100% dimming and a 1–25Hz strobe handle the fades and the hits.
Run 4CH when you want a short patch that still covers dimmer, warm, cool and strobe, or 8CH when you want more separation between the channels. Alongside DMX, the L450 supports Master-Slave, Auto and Sound operation, so a bar, a rental client or a church media volunteer can run it without a lighting console in the room.
Power comes in on a standard IEC input and data on 3-pin XLR input/output, so it patches into cabling you already own rather than needing an adapter for every connection. At 2.4 kg (5.4 lb) it hangs on a light stand or a truss without effort. For a room that needs coverage rather than a single accent, the BOX OF 4PCS package at $429 works out cheaper than four singles at $109.
A compact wash that earns its place wherever the room is small and the rig has to go up fast: karaoke bars and small venues, mobile DJ booths, band stages, wedding receptions and school or church halls.
The DUALTONE PAR L450 carries 2×50W warm white and 2×50W cool white emitters side by side, which means the white you use is a decision you make on the console rather than a fixture you have to buy. Crossfade warm into cool during a show to follow the mood, or set a mixed white and leave it. For anyone who has ever carried a warm par and a cool par to the same gig and used one of them all night, this is the fixture that solves it: one SKU, two color temperatures, no gel.
Warm white is what you want for a speech, a toast, a house of worship service or a warm stage look. Cool white is what you want for camera, for a product table, for a crisp key light on a performer, or for a modern club interior. Because both live in the same fixture, you can tune the white to the room instead of settling for whichever par you happened to bring — and you can change it between songs without swapping a single fixture.
Strobe, fade and pulse macros are already in the fixture, along with the warm white and cool white washing effect. That gives you movement and texture without buying a second light or hand-building a cue. On a DJ set, a live show or a quick-turn production, pulling a macro up on a fader is a faster path to a look that reads as designed than programming one from scratch on a small desk.
The 25° beam angle sits between a narrow spot and a wide flood. It is tight enough to put a clean pool of white on a performer, a podium or a cake table, and open enough to wash a small stage or a backdrop without a visible hot spot. If your room has a low ceiling or your subjects are close, 25° is the angle that gives you control instead of a broad light you cannot shape.
At 190W the fixture draws a fraction of what an equivalent tungsten par would, so more units fit on one circuit before you start running extra power — worth planning around in older venues and temporary setups. The LEDs are rated for 50,000 hours, which means the light engine is not a consumable: no lamp changes, no color shift with age, no ordering spares. Linear 0–100% dimming and a 1–25Hz strobe handle the fades and the hits.
Run 4CH when you want a short patch that still covers dimmer, warm, cool and strobe, or 8CH when you want more separation between the channels. Alongside DMX, the L450 supports Master-Slave, Auto and Sound operation, so a bar, a rental client or a church media volunteer can run it without a lighting console in the room.
Power comes in on a standard IEC input and data on 3-pin XLR input/output, so it patches into cabling you already own rather than needing an adapter for every connection. At 2.4 kg (5.4 lb) it hangs on a light stand or a truss without effort. For a room that needs coverage rather than a single accent, the BOX OF 4PCS package at $429 works out cheaper than four singles at $109.
A compact wash that earns its place wherever the room is small and the rig has to go up fast: karaoke bars and small venues, mobile DJ booths, band stages, wedding receptions and school or church halls.
| Input power | AC 100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 190W |
| Voltage range | Universal — works on US and EU mains |
| Source | 2 × 50W warm white + 2 × 50W cool white |
| Average lifespan | 50,000 hours |
| Color | Warm white / cool white (WW/CW) |
| Linear dimming | 0–100% linear dimmer |
| Strobe | 1–25Hz |
| Beam angle | 25° |
| Wash effect | Warm white + cold white washing effect |
| Macro effects | Various built-in macro effects |
| Protocol | DMX512 |
| DMX channels | 4CH / 8CH |
| DMX connector | 3-pin XLR input/output |
| Power connector | IEC input |
| Control modes | DMX / Master-Slave / Auto / Sound |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 288 × 245 × 250 mm (11.3 × 9.65 × 9.8 in) |
| Weight | 2.4 kg (5.4 lb) |
Join the list for new product drops, demo videos and stage-lighting tips. One email a week — unsubscribe anytime.
Enter it at checkout for 5% off your first order.
Reviews