6-PIECE Mid-sized stage rig in one order with 2 × SPOTTY LED 90 spots, 4 × HUEWAVE PL 1210 washes and a 384CH console. The DJ Performance Pack is a popular choice for karaoke bars, mobile DJs and house parties.
Original price was: $780.00.$629.00Current price is: $629.00.
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Spots And Washes, Already Balanced2 + 4
The ratio is set for you — no ordering too many of one and short of the other
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2 × SPOTTY LED 90 Spots80W · 12pcs RGB Halo
Motorized heads with gobos, prism and halo rings for beams and focus
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4 × HUEWAVE PL 1210 Washes12 × 10W RGBW-UV
UV in the mix, so blacklight and rich colors come from the same fixtures
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A Console That Drives It384 Channels
The HEMERA C384 is matched to the fixture count, so nothing arrives unpatched
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Everything Runs On One Protocol$629 The Whole Rig
DMX512 throughout, one cable standard and one load-in for the whole stage
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Shop by use case: Complete Lighting Packages · Mobile DJ · Special Event
Original price was: $780.00.$629.00Current price is: $629.00.
These are moving heads, not static fixtures. Each carries an 80W LED at 9500K with a 15° beam, plus a 3-facet prism, a color wheel of 7 colors plus open, and a gobo wheel with 3 metal and 2 glass gobos. Pan runs 540° and tilt 270° with 8/16-bit resolution, so movement is smooth rather than steppy. For cutting a sharp pool of light onto a singer, a speaker or a cake table, this is the part of the package doing the work.
Around the front lens of each SPOTTY LED 90 sits a halo ring of 12 RGB LEDs. It runs independently of the main beam, which gives you an eye-catching colored ring that reads from the back of the room even when the spot itself is in a tight focus. It is a small feature that changes how a moving head looks on a dark stage, and it comes with the fixture rather than as an extra.
Each wash carries 12×10W of RGBW-UV LEDs on a 25° beam, drawing 51W. The UV channel is the standout — it delivers genuine blacklight looks for the part of the night where that matters, without needing separate UV bars. Four units is the right number to wash a mid-sized stage evenly, and at 1.3 kg (2.87 lb) each they are easy to hang.
A real desk rather than a footswitch. The C384 is DMX512/1990 standard, controls 12 intelligent lights of up to 32 channels for 384 channels total, and gives you 30 banks of 8 scenes with 6 chases of up to 240 scenes each. There are 16 sliders for direct channel control, MIDI control over banks, chases and blackout, and a built-in microphone for music mode. It will run this entire package and still have capacity spare.
The usual mistake when building a first rig is buying washes and no spots, or spots and no washes. This package supplies two focused positions and four wide ones — enough spots to pick out the important moments and enough washes to fill the stage around them. That is a working balance for theatres, churches, schools and corporate events rather than a bundle of whatever was in stock.
Every fixture in the pack is DMX-controlled, with 3-pin XLR connections and IEC power. That means the spots, the washes and the console all patch together without adapters, converter boxes or special-order cables. All IEC power connectors are standard, so extension and replacement cables come from any supplier.
An 80W moving head and a 51W RGBW-UV wash per position is a step above the usual starter bundles, and the C384 has the channel count to control it properly. If you are outgrowing a pair of cheap pars, this is the package that lets you program real cues — movement, gobos, prism and UV — instead of running sound-active colors.
A complete starting rig for DJs and small venues: karaoke bars, mobile DJ booths, house parties, school events and wedding receptions.
These are moving heads, not static fixtures. Each carries an 80W LED at 9500K with a 15° beam, plus a 3-facet prism, a color wheel of 7 colors plus open, and a gobo wheel with 3 metal and 2 glass gobos. Pan runs 540° and tilt 270° with 8/16-bit resolution, so movement is smooth rather than steppy. For cutting a sharp pool of light onto a singer, a speaker or a cake table, this is the part of the package doing the work.
Around the front lens of each SPOTTY LED 90 sits a halo ring of 12 RGB LEDs. It runs independently of the main beam, which gives you an eye-catching colored ring that reads from the back of the room even when the spot itself is in a tight focus. It is a small feature that changes how a moving head looks on a dark stage, and it comes with the fixture rather than as an extra.
Each wash carries 12×10W of RGBW-UV LEDs on a 25° beam, drawing 51W. The UV channel is the standout — it delivers genuine blacklight looks for the part of the night where that matters, without needing separate UV bars. Four units is the right number to wash a mid-sized stage evenly, and at 1.3 kg (2.87 lb) each they are easy to hang.
A real desk rather than a footswitch. The C384 is DMX512/1990 standard, controls 12 intelligent lights of up to 32 channels for 384 channels total, and gives you 30 banks of 8 scenes with 6 chases of up to 240 scenes each. There are 16 sliders for direct channel control, MIDI control over banks, chases and blackout, and a built-in microphone for music mode. It will run this entire package and still have capacity spare.
The usual mistake when building a first rig is buying washes and no spots, or spots and no washes. This package supplies two focused positions and four wide ones — enough spots to pick out the important moments and enough washes to fill the stage around them. That is a working balance for theatres, churches, schools and corporate events rather than a bundle of whatever was in stock.
Every fixture in the pack is DMX-controlled, with 3-pin XLR connections and IEC power. That means the spots, the washes and the console all patch together without adapters, converter boxes or special-order cables. All IEC power connectors are standard, so extension and replacement cables come from any supplier.
An 80W moving head and a 51W RGBW-UV wash per position is a step above the usual starter bundles, and the C384 has the channel count to control it properly. If you are outgrowing a pair of cheap pars, this is the package that lets you program real cues — movement, gobos, prism and UV — instead of running sound-active colors.
A complete starting rig for DJs and small venues: karaoke bars, mobile DJ booths, house parties, school events and wedding receptions.
| Input power | AC100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 95W |
| Fuse | 5A |
| Source | 80W LED |
| CCT | 9500K |
| Halo ring | 12pcs RGB LED |
| Average lifespan | 50,000 hours |
| Color wheel | 7 colors + open |
| Linear dimming | 0–100% Linear Dimmer |
| Strobe | 1–25Hz |
| Beam angle | 15° |
| Prism | 3-facet |
| Gobo wheel | 3 metal gobos + 2 glass gobos |
| Color | 7 colors + open |
| DMX channels | 14CH |
| DMX connector | 3-Pin XLR input/output |
| Power connector | IEC power input |
| Control modes | DMX / Master-Slave / Auto / Sound |
| Pan | 540°, 8/16 bits scanning |
| Tilt | 270°, 8/16 bits scanning |
| Display | LED color display with 4 buttons |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 210 × 170 × 340 mm (8.3 × 6.7 × 13.4 in) |
| Weight | 3.9 kg (8.6 lb) |
| Input power | AC100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 51W |
| Fuse | 3.15A |
| Source | 12×10W RGBW-UV LED |
| Average lifespan | 50,000 hours |
| Color | RGBW-UV |
| Beam angle | 25° |
| Linear dimming | 0–100% Linear Dimmer |
| Strobe | 1–25Hz |
| Color mixing | Color mixing across RGBW-UV |
| Built-in effects | Various built-in programs |
| DMX channels | 5/9CH |
| DMX connector | DMX 3-Pin XLR input/output |
| Power connector | IEC input |
| Control modes | DMX / Master-Slave / Auto / Sound |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 190 × 270 × 95 mm (7.5 × 10.7 × 3.741 in) |
| Weight | 1.3 kg (2.87 lb) |
| Standard | DMX512/1990 standard |
| Capacity | Controls 12 intelligent lights of up to 32 channels, totally 384 channels |
| Banks & scenes | 30 banks, each with 8 scenes; 6 chase, each with up to 240 scenes |
| Chase recording | Record up to 6 chases with fade time and speeds |
| Sliders | 16 sliders for direct control of channels |
| MIDI | MIDI control over banks, chases and blackout |
| Music mode | Built-in microphone for music mode |
| Auto mode | Auto mode program controlled by fade time sliders |
| DMX in/out | 3-Pin XRL |
| Lamp | LED gooseneck lamp |
| Housing | Plastic end housing |
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