1.5° 90W pencil beam moving head with dual 16-facet and 6-facet rotating prisms, 7 gobos and a 12-LED RGB halo. The JUBARIS BEAM L90 is a popular choice for clubs, theatre stages and touring rigs.
From $215.00
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A 1.5° Beam Is The Whole Point90W LED
A narrow shaft that cuts through haze instead of washing a floor
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Two Rotating Prisms16-Facet + 6-Facet
Independent prisms multiply the beam for layered aerial looks
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7 Gobos And 7 ColorsOn Wheels
Texture and color change from the console without touching the fixture
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12-LED RGB Halo RingAdds Depth
A glow around the aperture that gives the fixture presence when it is dark
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4.2 kg, $856 For Four540° / 270° · 16-Bit
Light enough to hang in banks, priced so a full beam line is affordable
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Shop by use case: Club & Bar · Mobile DJ · Special Event
From $215.00
The L90 projects a 1.5° beam, which is genuinely narrow. That narrowness is what makes haze, fog and stage smoke visible as solid shafts of light rather than a soft glow, and it is why beam heads look so different from wash lights in the same rig. Point two or four of them across a room and the air becomes part of the set instead of empty space above the audience.
A 16-facet rotating prism and a separate 6-facet prism both live inside the fixture. The 16-facet splits the beam into a fine fan of light for dense aerial texture; the 6-facet gives a wider, more open spread of discrete beams. Because they are separate, you get two distinctly different effects from one fixture rather than choosing a single prism at purchase and living with it.
The gobo wheel carries seven gobos plus open, and the color wheel carries seven colors plus open. That combination keeps beam effects changing through a set — a patterned beam early, a clean white throw for the drop, a colored fan for the encore. Because the wheels hold real gobos and real color, you are not limited to whatever a color-mixing engine happens to produce.
Twelve RGB LEDs form a ring around the main beam and run on their own color control. You can hold the beam in pure white with a slow color drift around it, or match the ring to the beam for a solid mass of color. It reads as depth on stage: the eye sees a bright source with a colored aura, which looks considerably more expensive than a flat white circle.
Movement covers 540° pan and 270° tilt at 16-bit resolution, which means the fixture glides to a position and follows a performer instead of stepping between locations. Everything runs over 14 DMX channels, so a short patch leaves the rest of the console free for the rest of the rig. A 0–100% linear dimmer and a 1–25Hz strobe cover both the slow fade and the hard hit.
Four control modes are built in. DMX when a designer is on the desk, Master-Slave when you want several heads doing the same thing, Auto for a set-and-forget look, and Sound-Active when nobody is driving and the fixture should react to the music itself. That range is why the L90 works as convincingly in a bar as it does on a concert stage.
At 210 × 170 × 340 mm and 4.2 kg (9.3 lb), one person can hang it from standard truss or a lighting stand with no special hardware. Power is a standard IEC input and DMX runs on 3-pin XLR in and out, so cabling is what you already own. The LED is rated for 50,000 hours, and every order carries free USA shipping on most products, a 2-year warranty and a 30-day return policy.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
The L90 projects a 1.5° beam, which is genuinely narrow. That narrowness is what makes haze, fog and stage smoke visible as solid shafts of light rather than a soft glow, and it is why beam heads look so different from wash lights in the same rig. Point two or four of them across a room and the air becomes part of the set instead of empty space above the audience.
A 16-facet rotating prism and a separate 6-facet prism both live inside the fixture. The 16-facet splits the beam into a fine fan of light for dense aerial texture; the 6-facet gives a wider, more open spread of discrete beams. Because they are separate, you get two distinctly different effects from one fixture rather than choosing a single prism at purchase and living with it.
The gobo wheel carries seven gobos plus open, and the color wheel carries seven colors plus open. That combination keeps beam effects changing through a set — a patterned beam early, a clean white throw for the drop, a colored fan for the encore. Because the wheels hold real gobos and real color, you are not limited to whatever a color-mixing engine happens to produce.
Twelve RGB LEDs form a ring around the main beam and run on their own color control. You can hold the beam in pure white with a slow color drift around it, or match the ring to the beam for a solid mass of color. It reads as depth on stage: the eye sees a bright source with a colored aura, which looks considerably more expensive than a flat white circle.
Movement covers 540° pan and 270° tilt at 16-bit resolution, which means the fixture glides to a position and follows a performer instead of stepping between locations. Everything runs over 14 DMX channels, so a short patch leaves the rest of the console free for the rest of the rig. A 0–100% linear dimmer and a 1–25Hz strobe cover both the slow fade and the hard hit.
Four control modes are built in. DMX when a designer is on the desk, Master-Slave when you want several heads doing the same thing, Auto for a set-and-forget look, and Sound-Active when nobody is driving and the fixture should react to the music itself. That range is why the L90 works as convincingly in a bar as it does on a concert stage.
At 210 × 170 × 340 mm and 4.2 kg (9.3 lb), one person can hang it from standard truss or a lighting stand with no special hardware. Power is a standard IEC input and DMX runs on 3-pin XLR in and out, so cabling is what you already own. The LED is rated for 50,000 hours, and every order carries free USA shipping on most products, a 2-year warranty and a 30-day return policy.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
| Input power | AC 100–240V |
| Power frequency | 50/60Hz |
| Power consumption | 150W |
| Fuse | 5A |
| Voltage range | Universal — works on US and EU mains |
| Main source | 90W LED |
| Halo ring | 12 pcs RGB LED |
| Average lifespan | 50,000 hours |
| Color wheel | 7 colors + open |
| Halo ring | 12 pcs RGB LED |
| Dimming | 0–100% linear dimmer |
| Strobe | 1–25Hz |
| Beam angle | 1.5° |
| Prism 1 | 16-facet rotating |
| Prism 2 | 6-facet |
| Gobo wheel | 7 gobos + open |
| Color wheel | 7 colors + white |
| Pan | 540°, 16-bit scanning |
| Tilt | 270°, 16-bit scanning |
| DMX channels | 14CH |
| DMX connector | 3-pin XLR input and output |
| Power connector | IEC power in |
| Control modes | DMX / Master-Slave / Auto / Sound |
| Display | LED color display with 4 buttons |
| IP rating | IP20 — indoor use only |
| Housing color | Black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 210 × 170 × 340 mm (8.3 × 6.7 × 13.4 in) |
| Weight | 4.2 kg (9.3 lb) |
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