220° TILT 12 × 60W RGBW tilting pixel bar with motorized 4.5°–35.5° zoom and 56CH of per-pixel control across 1080 mm.
From $979.00
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Zoom Replaces Two Fixtures4.5°–35.5°
A tight beam for entrances and a wide wash for the floor, from the same bar
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A Bar That Actually Moves220° Tilt
The head tilts like a moving light, so the bar can aim at the crowd or the stage
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Per-LED Pixel Mapping12 Emitters, 56CH
Chases travel along the bar — 12 × 60W is full output for aerial effects too
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18CH Or 56CHAny Number Of Channels
Patch a simple run for a festival day or take every LED individually
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22 kg, 1.8″ Rotatable LCD3 Per Road Case
Built for touring, and a display you can still read when the bar hangs upside down
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From $979.00
The motorized zoom travels the full 4.5° to 35.5° range on the console, so the same bar can cut a tight pencil of light through a haze-filled room for the chorus and then open into a wide, even wash for the slow song. Buying a narrow beam bar and a separate wash bar is the usual answer — this one fixture does both jobs, which means less rigging, less cable and less money in the truck.
Most LED bars are static: you aim them once and live with it. The VIVID TREAD's 220° tilt axis lets you rake beams across a dance floor, sweep them over a crowd, or fan them out from a truss in real time. That motion is what turns a row of color into a light show — and it is the reason this fixture sits in the MOVING HEADS category rather than with ordinary bar lights.
Every one of the 12 LEDs can be addressed on its own. Roll a color chase down the bar, build split-color bands, or map a pattern that travels as the bar tilts. In 56CH mode you get the full per-pixel resolution; in 18CH mode the same fixture runs as a simple, fast-to-program bar when you are short on time or channels.
18CH keeps it simple — total dimmer, strobe, zoom and color without a wall of faders. 56CH hands you every LED individually for pixel work and layered effects. Same hardware, two very different workflows, switchable from the menu; no firmware games, no hidden modes.
Pre-programmed color macros, strobe and smooth 0–100% linear dimming give you professional-looking looks without programming a single cue. Run it on DMX when you have a console, or fall back to Master-Slave, Auto and Sound-Active for quick setups where nobody is driving the desk.
The 1.8″ color LCD rotates a full 180°, so the menu is still the right way up when the bar is mounted overhead — a small detail that saves real time during focus and addressing. Strobe range runs 1–25Hz and dimming is fully linear, so fades stay clean instead of stepping.
At 22 kg (48.5 lb) with PowerCon in/out and 3-pin XLR (5-pin optional), the bar is built for repeat load-ins. The 3PCS & 1 ROAD CASE package at $3,212.15 arrives as one tour-ready box with the flight case included, so a three-bar rig travels and stores as a single unit.
The motorized zoom travels the full 4.5° to 35.5° range on the console, so the same bar can cut a tight pencil of light through a haze-filled room for the chorus and then open into a wide, even wash for the slow song. Buying a narrow beam bar and a separate wash bar is the usual answer — this one fixture does both jobs, which means less rigging, less cable and less money in the truck.
Most LED bars are static: you aim them once and live with it. The VIVID TREAD's 220° tilt axis lets you rake beams across a dance floor, sweep them over a crowd, or fan them out from a truss in real time. That motion is what turns a row of color into a light show — and it is the reason this fixture sits in the MOVING HEADS category rather than with ordinary bar lights.
Every one of the 12 LEDs can be addressed on its own. Roll a color chase down the bar, build split-color bands, or map a pattern that travels as the bar tilts. In 56CH mode you get the full per-pixel resolution; in 18CH mode the same fixture runs as a simple, fast-to-program bar when you are short on time or channels.
18CH keeps it simple — total dimmer, strobe, zoom and color without a wall of faders. 56CH hands you every LED individually for pixel work and layered effects. Same hardware, two very different workflows, switchable from the menu; no firmware games, no hidden modes.
Pre-programmed color macros, strobe and smooth 0–100% linear dimming give you professional-looking looks without programming a single cue. Run it on DMX when you have a console, or fall back to Master-Slave, Auto and Sound-Active for quick setups where nobody is driving the desk.
The 1.8″ color LCD rotates a full 180°, so the menu is still the right way up when the bar is mounted overhead — a small detail that saves real time during focus and addressing. Strobe range runs 1–25Hz and dimming is fully linear, so fades stay clean instead of stepping.
At 22 kg (48.5 lb) with PowerCon in/out and 3-pin XLR (5-pin optional), the bar is built for repeat load-ins. The 3PCS & 1 ROAD CASE package at $3,212.15 arrives as one tour-ready box with the flight case included, so a three-bar rig travels and stores as a single unit.
| Input power | AC 100–240V, 50/60Hz |
| Power consumption | 580W |
| Fuse | 8A |
| Voltage range | Universal — works on US and EU mains |
| LED | 12 × 60W RGBW 4-in-1 |
| Average lifespan | 50,000 hours |
| Color mixing | Full RGBW |
| Beam angle | 4.5°–35.5° |
| Zoom | Motorized 4.5°–35.5° |
| Dimming | 0–100% linear dimmer |
| Strobe | 1–25Hz |
| Tilt | 220° |
| Pixel mapping | Per-LED control across all 12 LEDs |
| Color mixing | RGBW, pixel mapping and color mixing |
| Built-in effects | Various macro effects |
| Protocol | DMX512 |
| DMX channels | 18CH / 56CH (switchable) |
| DMX connector | 3-pin XLR in/out (5-pin optional) |
| Power connector | PowerCon in/out |
| Control modes | DMX / Master-Slave / Auto / Sound-Active |
| Display | 1.8″ color LCD, 180° rotatable |
| IP rating | IP20 — indoor use only |
| Housing color | Matte black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 1080 × 130 × 315 mm (42.5 × 5.1 × 12.4 in) |
| Weight | 22 kg (48.5 lb) |
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