IP65 1000W tilting LED strobe and blinder with 144 white and 576 RGB LEDs in 8 white plus 16 RGB zones, on a 180° head. The PULSARIS 3000IP is a popular choice for club drops, band peaks and party moments.
$2,009.00
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1000W Of White-LED Punch144 × 5W @ 7000K
A blinder bright enough to read from the back of an outdoor field
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Four Effects In One HeadBlinder · Wash · Strobe · Chase
Replaces several product lines and shortens the load-in list
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8 White Zones, 16 RGB ZonesIndependently Controlled
Chases and color run across the face while the white bank stays available
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180° Tilt At 16-BitPrecise Positioning
Aim the head where the audience is, with fine enough resolution to hold a line
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IP65, 8 / 14 / 18 / 61CH13.7 kg · Tru1
Weather-sealed with touring connectors, so festival rigs can stay up all night
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Shop by use case: Houses of Worship · IP65 Outdoor Rated · Special Event · Touring & Production
$2,009.00
Most rigs solve this with separate units: a blinder for the chorus, a strobing wash for the drop, a chase bar for the build. The PULSARIS 3000IP packs strobe, wash, blinder and chasing into one 1000W moving head, so you rig once, cable once and drive everything from a single DMX address range. For a festival stage with limited power drops and a short load-in window, that is the whole argument in one sentence.
The 144 × 5W white LEDs are split into 8 independently addressable sections, and the 576 × 0.5W RGB LEDs into 16. That means real patterns instead of a flat wall of light: a white chase running hard left to right across the front of the stage while the RGB layer underneath holds a deep amber, or the full face slamming on together as a 1000W audience blinder. The 7000K white is daylight-balanced, so it cuts through haze and camera exposure the way a stadium wash needs to.
The head travels 180° with 16-bit movement resolution, which is what keeps slow sweeps smooth instead of visibly stepping. Point it down at the crowd for a blinder moment, then rake it up across a stage roof for a wide atmospheric wash without re-rigging or re-focusing anything. For outdoor productions where the audience keeps moving, that range of movement is what keeps the light on the people who are actually there.
Every macro on the fixture is reachable two ways: over DMX when a programmer is on the desk, or straight from the built-in menu when nobody is. DMX, Master-Slave and Auto modes cover everything from a fully timed festival set to a bar rig running a simple chase on its own. The LCD with four buttons is readable in the dark and fast to address — no laptop, no software.
The 3000IP is rated IP65, so rain, dust and the general punishment of an outdoor site do not end the show. That rating is the reason this fixture belongs on festival grounds, open-air concerts, sports venues and amphitheaters rather than in a covered club only. True1 (TRU1) power in/out and 5-pin XLR DMX input/output, with 3-pin available, let you daisy-chain across a stage without hunting for adapters.
Run 8CH when you want the fastest possible patch into a crowded universe, 14CH or 18CH for a balance of zones and speed, or open the full 61CH map when you want section-by-section control of both LED layers. Same fixture, same menu — you decide how much console real estate it eats. Strobe runs 1–25Hz and dimming is fully linear 0–100%, so fades stay clean and the strobe snaps when you want it to.
At 13.7 kg (30.2 lb) the head is light enough for one person to hang, and the 2PCS & 1 ROAD CASE package at $2,009 puts two of them in a tour-ready box with the flight case included. LEDs are rated for 50,000 hours, so the fixture is built for repeated seasons rather than one summer.
Strobes and effect bars are the punctuation of the night: club drops, band peaks, DJ booths, small venue shows and party moments.
Most rigs solve this with separate units: a blinder for the chorus, a strobing wash for the drop, a chase bar for the build. The PULSARIS 3000IP packs strobe, wash, blinder and chasing into one 1000W moving head, so you rig once, cable once and drive everything from a single DMX address range. For a festival stage with limited power drops and a short load-in window, that is the whole argument in one sentence.
The 144 × 5W white LEDs are split into 8 independently addressable sections, and the 576 × 0.5W RGB LEDs into 16. That means real patterns instead of a flat wall of light: a white chase running hard left to right across the front of the stage while the RGB layer underneath holds a deep amber, or the full face slamming on together as a 1000W audience blinder. The 7000K white is daylight-balanced, so it cuts through haze and camera exposure the way a stadium wash needs to.
The head travels 180° with 16-bit movement resolution, which is what keeps slow sweeps smooth instead of visibly stepping. Point it down at the crowd for a blinder moment, then rake it up across a stage roof for a wide atmospheric wash without re-rigging or re-focusing anything. For outdoor productions where the audience keeps moving, that range of movement is what keeps the light on the people who are actually there.
Every macro on the fixture is reachable two ways: over DMX when a programmer is on the desk, or straight from the built-in menu when nobody is. DMX, Master-Slave and Auto modes cover everything from a fully timed festival set to a bar rig running a simple chase on its own. The LCD with four buttons is readable in the dark and fast to address — no laptop, no software.
The 3000IP is rated IP65, so rain, dust and the general punishment of an outdoor site do not end the show. That rating is the reason this fixture belongs on festival grounds, open-air concerts, sports venues and amphitheaters rather than in a covered club only. True1 (TRU1) power in/out and 5-pin XLR DMX input/output, with 3-pin available, let you daisy-chain across a stage without hunting for adapters.
Run 8CH when you want the fastest possible patch into a crowded universe, 14CH or 18CH for a balance of zones and speed, or open the full 61CH map when you want section-by-section control of both LED layers. Same fixture, same menu — you decide how much console real estate it eats. Strobe runs 1–25Hz and dimming is fully linear 0–100%, so fades stay clean and the strobe snaps when you want it to.
At 13.7 kg (30.2 lb) the head is light enough for one person to hang, and the 2PCS & 1 ROAD CASE package at $2,009 puts two of them in a tour-ready box with the flight case included. LEDs are rated for 50,000 hours, so the fixture is built for repeated seasons rather than one summer.
Strobes and effect bars are the punctuation of the night: club drops, band peaks, DJ booths, small venue shows and party moments.
| Input power | AC 100–240V, 50/60Hz |
| Power consumption | 1000W |
| Voltage range | Universal — works on US and EU mains |
| LED 1 (white) | 144 pcs × 5W white LED, 7000K |
| LED 2 (color) | 576 pcs × 0.5W RGB LED |
| Average lifespan | 50,000 hours |
| Color | White + RGB |
| White color temperature | 7000K |
| Dimming | 0–100% linear dimmer |
| Strobe | 1–25Hz |
| Beam angle | 120° |
| White sections | 8 sections, independently controlled |
| RGB sections | 16 sections, independently controlled |
| Built-in effects | Strobe + wash + blinder + chasing effect |
| Effect access | Various built-in effects controlled by DMX or menu |
| Tilt | 180°, 16-bit resolution |
| Protocol | DMX512 |
| DMX channels | 8CH / 14CH / 18CH / 61CH (switchable) |
| DMX connector | 5-pin XLR input and output (or 3-pin) |
| Power connector | TRU1 / True1 input and output (or IP65 with cable) |
| Control modes | DMX / Master-Slave / Auto |
| Display | LCD display with 4 buttons |
| IP rating | IP65 — weatherproof for outdoor use |
| Housing color | Matte black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 515 × 196 × 270 mm (20.3 × 7.7 × 10.63 in) |
| Weight | 13.7 kg (30.2 lb) |
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