110CH 18 × 10W 6-in-1 pixel bar with per-LED control, a 15° beam and a 990 mm body that one person can rig. The HUEWAVE PIXEL BAR 1810R is a popular choice for club walls, DJ booths and church platforms.
From $189.00
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Per-LED Pixel Mapping18 Emitters
Every LED is addressed on its own, so chases and sweeps travel along the bar
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18 × 10W On 133W Draw6-in-1 LEDs
Real optical output from a bar that does not need its own circuit
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Two Color RecipesRGBWA-UV / RGBLA-UV
Pick the mix you work in, with UV included in both versions
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15° Beam990 mm Bar
Punchy where it lands, so a single bar reads as a feature, not a glow
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4.3 kg, 12CH Or 110CHOne-Person Rig
Light enough to rig solo, with a simple patch when the show does not need pixels
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Shop by use case: Club & Bar · Houses of Worship · Pixel Bar · Special Event
From $189.00
In 110CH mode every one of the 18 LEDs answers to its own address. That is what turns a bar into an effect: a chase rolling left to right across the stage front, two half-bar color blocks fighting each other, a pattern that travels while the band plays. Static bars can only change color — this one can draw. When you are short on channels or time, drop to 12CH and run it as a straight wash instead.
Six-in-one emitters give you red, green, blue, white, amber and UV from a single LED, which means smooth intermediate colors and a genuine white instead of a muddy approximation. The 15° beam keeps that output concentrated: point a bar at a backdrop and it lights the backdrop, not the ceiling above it and the floor below it. At 133W, eight bars on one circuit is entirely realistic.
Choose RGBWA-UV for a warm, saturated palette with a strong amber range, or RGBLA-UV for brighter, cleaner greens and easier mixed whites. Both versions keep the UV emitter, which is the channel that makes white costumes, painted set pieces and printed banners glow under low light — a look that plain RGBW pars cannot produce at all.
At 4.3 kg (9.48 lb) and 990 × 140 × 150 mm, this is a bar you can carry four of and hang on your own. It fits on a T-bar over a DJ booth, tucks under a low ceiling in a bar, and lines the front edge of a small stage without a second pair of hands. For mobile DJs and one-person crews, weight is not a specification — it is whether the setup happens at all.
Various built-in programs run straight from the fixture, and Master-Slave, Auto and Sound modes cover everything from a simple linked chase to a sound-reactive bar without any controller on site. Add a desk and you get the full 12CH or 110CH personality, per-LED pixel control and synchronisation with the rest of the rig.
PowerCon in/out plus 3-pin XLR DMX input/output are the connectors most small and mid-size rigs already run, so the 1810R drops into an existing chain without adapters. The LEDs are rated for 50,000 hours and the dimmer is fully linear 0–100% with a 1–25Hz strobe, so it holds up to weekends of work and still fades cleanly.
Singles are $189, and the BOX OF 4PCS at $749 works out to $187.25 per bar. Since a single 990 mm bar covers roughly a meter of stage front, a box of four lines a four-meter stage edge or four risers in one go — which is how most buyers actually light a room.
Linear bars do the heavy lifting where a wall of light matters more than a single beam: club and bar walls, DJ booths, small venue stages, church platforms, wedding backdrops and rental stock.
In 110CH mode every one of the 18 LEDs answers to its own address. That is what turns a bar into an effect: a chase rolling left to right across the stage front, two half-bar color blocks fighting each other, a pattern that travels while the band plays. Static bars can only change color — this one can draw. When you are short on channels or time, drop to 12CH and run it as a straight wash instead.
Six-in-one emitters give you red, green, blue, white, amber and UV from a single LED, which means smooth intermediate colors and a genuine white instead of a muddy approximation. The 15° beam keeps that output concentrated: point a bar at a backdrop and it lights the backdrop, not the ceiling above it and the floor below it. At 133W, eight bars on one circuit is entirely realistic.
Choose RGBWA-UV for a warm, saturated palette with a strong amber range, or RGBLA-UV for brighter, cleaner greens and easier mixed whites. Both versions keep the UV emitter, which is the channel that makes white costumes, painted set pieces and printed banners glow under low light — a look that plain RGBW pars cannot produce at all.
At 4.3 kg (9.48 lb) and 990 × 140 × 150 mm, this is a bar you can carry four of and hang on your own. It fits on a T-bar over a DJ booth, tucks under a low ceiling in a bar, and lines the front edge of a small stage without a second pair of hands. For mobile DJs and one-person crews, weight is not a specification — it is whether the setup happens at all.
Various built-in programs run straight from the fixture, and Master-Slave, Auto and Sound modes cover everything from a simple linked chase to a sound-reactive bar without any controller on site. Add a desk and you get the full 12CH or 110CH personality, per-LED pixel control and synchronisation with the rest of the rig.
PowerCon in/out plus 3-pin XLR DMX input/output are the connectors most small and mid-size rigs already run, so the 1810R drops into an existing chain without adapters. The LEDs are rated for 50,000 hours and the dimmer is fully linear 0–100% with a 1–25Hz strobe, so it holds up to weekends of work and still fades cleanly.
Singles are $189, and the BOX OF 4PCS at $749 works out to $187.25 per bar. Since a single 990 mm bar covers roughly a meter of stage front, a box of four lines a four-meter stage edge or four risers in one go — which is how most buyers actually light a room.
Linear bars do the heavy lifting where a wall of light matters more than a single beam: club and bar walls, DJ booths, small venue stages, church platforms, wedding backdrops and rental stock.
| Input power | AC 100–240V, 50/60Hz |
| Power consumption | 133W |
| Voltage range | Universal — works on US and EU mains |
| LED | 18 × 10W RGBWA-UV 6-in-1 LED |
| Average lifespan | 50,000 hours |
| Color | RGBWA-UV (RGBLA-UV version available) |
| UV channel | Ultraviolet emitter included |
| Dimming | 0–100% linear dimmer |
| Strobe | 1–25Hz |
| Beam angle | 15° |
| LED configuration | 18 × 10W RGBWA-UV 6-in-1 LED |
| Pixel mapping | Per-LED control across all 18 LEDs |
| Built-in programs | Various built-in programs |
| Protocol | DMX512 |
| DMX channels | 12CH / 110CH (switchable) |
| DMX connector | DMX 3-pin XLR input/output |
| Power connector | PowerCon input/output |
| Control modes | DMX / Master-Slave / Auto / Sound |
| IP rating | IP20 — indoor use only |
| Housing color | Matte black |
| Working ambient temp. | −10°C to 40°C (−14°F to 104°F) |
| Dimensions | 990 × 140 × 150 mm (39 × 5.5 × 5.9 in) |
| Weight | 4.3 kg (9.48 lb) |
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