BATTERY 40W RGBWA linear tube with 32 pixels, a 9600mAh cell for up to 8 hours and 360° output over 1435 mm. The COLOR SPECTRUM TUBE is a popular choice for club walls, DJ booths and church platforms.
$1,480.00
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Cordless RGBWA Tube9600mAh
Run a full show on battery — 8 hours of output, 7h from empty to full
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32 Individually Controlled Pixels4–160CH
Eight DMX personalities scale from a simple wash to full pixel mapping
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RGBWA Plus A Real White2000K–10000K
Amber in the mix and a dedicated white channel for clean skin tones
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360° Uniform Output1435 mm
Light wraps the whole tube, so it reads the same from any seat
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Three Ways To Control It2.4G · APP · IR
No signal cable anywhere near the tube — desk, handheld or handheld phone
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Shop by use case: Battery Powered · Live Band & Stage · Special Event · UV Blacklight · Wedding
$1,480.00
The tube runs on a 9600mAh lithium battery with up to 8 hours of runtime in mono mode and a 7-hour full charge from the supplied charger. That is the specification that decides where the fixture can go: truss edges, venue perimeters, crowd positions, outdoor paths and any point on a rig that has no mains drop nearby. Charging is off a standard AC 100–240V supply at 50/60Hz through the charger, so the tube and its power supply travel separately and the tube itself goes up without a cable.
Inside the 1435 mm tube there are 32 separately addressed pixels. In the full 160-channel mode each one gets its own RGBWA color value, which is what turns the tube from a colored stick into a display: animations traveling along its length, scrolling text, wave effects and multi-zone chases that a single-color tube simply cannot produce. When the job only needs a wash, the DMX channel count drops all the way to 4CH and the tube behaves like a straightforward color source.
Red, green, blue, white and amber emitters handle saturated, creative color. Separately, a dedicated CCT channel runs from a warm 2000K through daylight to 10000K in 200K steps. That second system is what makes the tube useful beyond effects: it can be a film or photographic practical, an architectural accent light or a clean white tube on a set, all without gels and all tunable from the desk. Dimming is 0–100% across 4 dimming modes with a 0–30Hz strobe.
There are three control paths and none of them needs a signal cable. 2.4G wireless DMX puts the tube under the lighting desk alongside everything else, so it can be cued with the rest of the show. The phone APP is the fast route for setting a look, a color or a pixel program during setup. The IR remote changes color instantly without touching anything — useful when the tube is rigged out of reach. The OLED display handles mode, address and settings on the fixture itself.
The tube emits uniformly through 360° rather than from a single face, so every orientation is a usable surface. That matters on a visible tube run along a stage edge, a bar front or a crowd barrier, where the audience sees the fixture from every angle. The aluminum-alloy body uses natural cooling, so there is no fan noise, and at 2.5 kg with a 50 mm diameter it is light and thin enough to rig quickly by hand.
The tube carries DMX personalities of 4 / 5 / 6 / 7 / 12 / 40 / 80 / 160CH. The low end is a simple dimmer, strobe and color-macro fixture that costs almost nothing in channel count. The high end is the full 160-channel pixel engine. Because every step in between is available, the same tube suits a small bar rig with a limited patch and a large installation where a run of tubes is pixel-mapped with the rest of the show. A CASE OF 4PCS is $1,480.
Linear bars do the heavy lifting where a wall of light matters more than a single beam: club and bar walls, DJ booths, small venue stages, church platforms, wedding backdrops and rental stock.
The tube runs on a 9600mAh lithium battery with up to 8 hours of runtime in mono mode and a 7-hour full charge from the supplied charger. That is the specification that decides where the fixture can go: truss edges, venue perimeters, crowd positions, outdoor paths and any point on a rig that has no mains drop nearby. Charging is off a standard AC 100–240V supply at 50/60Hz through the charger, so the tube and its power supply travel separately and the tube itself goes up without a cable.
Inside the 1435 mm tube there are 32 separately addressed pixels. In the full 160-channel mode each one gets its own RGBWA color value, which is what turns the tube from a colored stick into a display: animations traveling along its length, scrolling text, wave effects and multi-zone chases that a single-color tube simply cannot produce. When the job only needs a wash, the DMX channel count drops all the way to 4CH and the tube behaves like a straightforward color source.
Red, green, blue, white and amber emitters handle saturated, creative color. Separately, a dedicated CCT channel runs from a warm 2000K through daylight to 10000K in 200K steps. That second system is what makes the tube useful beyond effects: it can be a film or photographic practical, an architectural accent light or a clean white tube on a set, all without gels and all tunable from the desk. Dimming is 0–100% across 4 dimming modes with a 0–30Hz strobe.
There are three control paths and none of them needs a signal cable. 2.4G wireless DMX puts the tube under the lighting desk alongside everything else, so it can be cued with the rest of the show. The phone APP is the fast route for setting a look, a color or a pixel program during setup. The IR remote changes color instantly without touching anything — useful when the tube is rigged out of reach. The OLED display handles mode, address and settings on the fixture itself.
The tube emits uniformly through 360° rather than from a single face, so every orientation is a usable surface. That matters on a visible tube run along a stage edge, a bar front or a crowd barrier, where the audience sees the fixture from every angle. The aluminum-alloy body uses natural cooling, so there is no fan noise, and at 2.5 kg with a 50 mm diameter it is light and thin enough to rig quickly by hand.
The tube carries DMX personalities of 4 / 5 / 6 / 7 / 12 / 40 / 80 / 160CH. The low end is a simple dimmer, strobe and color-macro fixture that costs almost nothing in channel count. The high end is the full 160-channel pixel engine. Because every step in between is available, the same tube suits a small bar rig with a limited patch and a large installation where a run of tubes is pixel-mapped with the rest of the show. A CASE OF 4PCS is $1,480.
Linear bars do the heavy lifting where a wall of light matters more than a single beam: club and bar walls, DJ booths, small venue stages, church platforms, wedding backdrops and rental stock.
| Input | AC 100–240V, 50/60Hz (charger) |
| Power | 40W |
| Battery | 9600mAh lithium — up to 8h runtime (mono), 7h full charge |
| Voltage range | Universal charger — works on US and EU mains |
| LED | RGBWA (Red / Green / Blue / White / Amber) |
| Output | 360° uniform light |
| Pixels | 32 individually controllable |
| Color | RGBWA mixing + CCT 2000K–10000K (200K steps) |
| Dimming | 0–100%, 4 dimming modes |
| Strobe | 0–30 Hz |
| Control | Wireless DMX (2.4G) / Phone APP / IR remote |
| DMX channels | 4 / 5 / 6 / 7 / 12 / 40 / 80 / 160 CH |
| Display | OLED |
| Housing | Aluminum alloy, natural cooling |
| Size | 1435 mm (L) × 50 mm (Ø) |
| Net weight | 2.5 kg |
| Accessories | IR remote, charger |
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