3200K–6000K 200W COB dual-color fixture mixing warm and cool white, with a motorized 15°–60° zoom in a 5.5 kg body. The DUALTONE 200ZM is a popular choice for clubs, theatre stages and touring rigs.
From $241.00
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Dual-Color COB3200K–6000K
Warm and cool white on separate channels, blended on the console
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Motorized 15°–60° ZoomDMX 0–255
Beam size travels from a tight pool to a wide wash without a ladder
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Linear 0–100% Dimming0–100% Linear
Smooth and even across the whole range
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Adjustable Thermal Protection40°C–70°C
Adjust it to suit the room instead of accepting the factory default
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Console Or Panel Control3 / 7 CH
Take DMX from the desk or run it standalone from the on-board buttons
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From $241.00
The 200ZM pairs a 200W COB with a dual-color layout: Warm White and Cold White are driven by independent DMX channels, so you can blend from a 3200K tungsten feel to a 6000K daylight look, or stop anywhere between. In practice that means one fixture type covers what a rig would otherwise fill with two — the warm interior wash and the cool daylight key. It is also the reason the fixture is a practical replacement when a venue is moving away from tungsten.
A dedicated focus channel drives the motorized zoom, which covers beam angles from 15° to 60°. A tight 15° setting throws a focused beam onto a backdrop or a speaker; opening out to 60° turns the same fixture into a wide, even wash across a stage or a wall. Because it is motorized, refocusing happens from the console during a live show instead of sending someone up a ladder with a lens ring — and the fixture holds its focus, since there is no manual ring to be knocked off position in transit.
Dimming is 0–100% linear across the full range, and the electronic strobe is variable-speed on its own DMX channel in 7-channel mode. That gives a smooth dimmer for a slow fade and a separate strobe for effects, without one interfering with the other.
The fixture offers 3-channel and 7-channel DMX modes, with Auto fade, jump and pulse programs plus sound-active built in. The built-in programs and sound mode mean the fixture can produce a look with no controller on site at all — useful for decor, a small venue or a permanent installation. Adding a desk unlocks the dual-color channels, the focus channel and independent strobe control.
Thermal protection is adjustable, with a factory default of 60°C and a range from 40°C to 70°C. On paper that looks like a minor setting; in practice it is the difference between a fixture that shuts itself down in a hot overhead rig and one that keeps working because the threshold has been set for the environment it is actually in. The housing is aluminum, which is what pulls heat out of the emitter in the first place.
In addition to full DMX512, the fixture can be operated directly from panel buttons on the body. That covers two very different users: a crew that needs a quick local adjustment without walking to a desk, and a venue, hall or studio that owns the fixture but has no lighting console at all. Power draw is 200W maximum on AC 90–240V at 50/60Hz, so it runs on US and EU mains, and the body weighs 5.5 kg with a packaging size of 260 × 260 × 500 mm.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
The 200ZM pairs a 200W COB with a dual-color layout: Warm White and Cold White are driven by independent DMX channels, so you can blend from a 3200K tungsten feel to a 6000K daylight look, or stop anywhere between. In practice that means one fixture type covers what a rig would otherwise fill with two — the warm interior wash and the cool daylight key. It is also the reason the fixture is a practical replacement when a venue is moving away from tungsten.
A dedicated focus channel drives the motorized zoom, which covers beam angles from 15° to 60°. A tight 15° setting throws a focused beam onto a backdrop or a speaker; opening out to 60° turns the same fixture into a wide, even wash across a stage or a wall. Because it is motorized, refocusing happens from the console during a live show instead of sending someone up a ladder with a lens ring — and the fixture holds its focus, since there is no manual ring to be knocked off position in transit.
Dimming is 0–100% linear across the full range, and the electronic strobe is variable-speed on its own DMX channel in 7-channel mode. That gives a smooth dimmer for a slow fade and a separate strobe for effects, without one interfering with the other.
The fixture offers 3-channel and 7-channel DMX modes, with Auto fade, jump and pulse programs plus sound-active built in. The built-in programs and sound mode mean the fixture can produce a look with no controller on site at all — useful for decor, a small venue or a permanent installation. Adding a desk unlocks the dual-color channels, the focus channel and independent strobe control.
Thermal protection is adjustable, with a factory default of 60°C and a range from 40°C to 70°C. On paper that looks like a minor setting; in practice it is the difference between a fixture that shuts itself down in a hot overhead rig and one that keeps working because the threshold has been set for the environment it is actually in. The housing is aluminum, which is what pulls heat out of the emitter in the first place.
In addition to full DMX512, the fixture can be operated directly from panel buttons on the body. That covers two very different users: a crew that needs a quick local adjustment without walking to a desk, and a venue, hall or studio that owns the fixture but has no lighting console at all. Power draw is 200W maximum on AC 90–240V at 50/60Hz, so it runs on US and EU mains, and the body weighs 5.5 kg with a packaging size of 260 × 260 × 500 mm.
Moving heads suit rigs that move with the show: clubs and small venues, touring and rental racks, band and theatre stages, corporate events and houses of worship.
| Input power | AC 90–240V, 50/60Hz |
| Power consumption | 200W Max |
| Voltage range | Universal — works on US and EU mains |
| LED | 200W COB |
| Color temperature | 3200K–6000K adjustable (dual-color version) |
| Average lifespan | 50,000 hours |
| Beam angle | 15°–60° (motorized zoom via DMX, 0–255) |
| Focus | Motorized beam-size adjustment |
| Dimming | 0–100% smooth linear dimming |
| Strobe | Electronic, variable speed (slow → fast) |
| Protocol | DMX512 + 4-button panel |
| DMX channels | 3 / 7 CH (selectable on panel) |
| Built-in | Auto fade/jump/pulse programs + sound-active |
| Thermal protection | Adjustable, factory default 60°C (range 40°C–70°C) |
| Housing | Aluminum |
| Protection | IP20 (indoor) — indoor use only |
| Net weight | 5.5 kg |
| Packaging size | 260 × 260 × 500 mm |
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