3200K–6000K 200W Citizen COB dual-color fixture mixing warm and cool white, with a motorized 15°–60° zoom in a 5.8 kg body.
From $241.00
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Dual-Color Citizen COB3200K–6000K
Warm and cool white on separate channels, blended on the console
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Motorized 15°–60° ZoomDMX 0–255
Beam size travels from a tight pool to a wide wash without a ladder
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Flicker-Free Dimming0–100% Linear
Clean on camera, so it works for video shoots as well as live shows
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Adjustable Thermal Cut-Off40°C–70°C
Set the cut-off to suit the room instead of accepting the factory default
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Console Or Knob Control3 / 4 / 5 / 6 / 7CH
Take DMX from the desk or run it standalone from the on-board buttons
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From $241.00
The 200ZM pairs a 200W Citizen COB with a dual-color layout: Warm White and Cold White are driven by independent DMX channels, so you can blend from a 3200K tungsten feel to a 6000K daylight look, or stop anywhere between. In practice that means one fixture type covers what a rig would otherwise fill with two — the warm interior wash and the cool daylight key. It is also the reason the fixture is a practical replacement when a venue is moving away from tungsten.
A dedicated focus channel drives the motorized zoom, which covers beam angles from 15° to 60°. A tight 15° setting throws a focused profile onto a backdrop or a speaker; opening out to 60° turns the same fixture into a wide, even wash across a stage or a wall. Because it is motorized, refocusing happens from the console during a live show instead of sending someone up a ladder with a lens ring — and the fixture holds its focus, since there is no manual ring to be knocked off position in transit.
Dimming is 0–100% linear and flicker-free. That is a specification that only matters when a camera is involved: fixtures that flicker or step visibly produce banding and rolling artefacts on film, at high frame rates and in slow motion. Because the dimming curve stays clean, the 200ZM is safe to put in front of a broadcast camera, on a photography backdrop or in a studio, not just over a live audience. The electronic strobe runs from slow to fast on its own channel.
The fixture offers DMX channels of 3/4/5/6/7CH across single and dual-color modes, with Auto fade, jump and pulse programs plus sound-active built in. The built-in programs and sound mode mean the fixture can produce a look with no controller on site at all — useful for decor, a small venue or a permanent installation. Adding a desk unlocks the dual-color channels, the focus channel and independent strobe control.
Thermal protection is adjustable, with a default cut-off at 60°C and a range from 40°C to 70°C. On paper that looks like a minor setting; in practice it is the difference between a fixture that shuts itself down in a hot overhead rig and one that keeps working because the cut-off has been set for the environment it is actually in. The housing is aluminum, which is what pulls heat out of the emitter in the first place.
In addition to full DMX512, the fixture can be operated directly from manual knobs and buttons on the body. That covers two very different users: a crew that needs a quick local adjustment without walking to a desk, and a venue, hall or studio that owns the fixture but has no lighting console at all. Power draw is 200W maximum on AC 90–240V at 50/60Hz, so it runs on US and EU mains, and the body weighs 5.8 kg with a packaging size of 260 × 260 × 500 mm.
The 200ZM pairs a 200W Citizen COB with a dual-color layout: Warm White and Cold White are driven by independent DMX channels, so you can blend from a 3200K tungsten feel to a 6000K daylight look, or stop anywhere between. In practice that means one fixture type covers what a rig would otherwise fill with two — the warm interior wash and the cool daylight key. It is also the reason the fixture is a practical replacement when a venue is moving away from tungsten.
A dedicated focus channel drives the motorized zoom, which covers beam angles from 15° to 60°. A tight 15° setting throws a focused profile onto a backdrop or a speaker; opening out to 60° turns the same fixture into a wide, even wash across a stage or a wall. Because it is motorized, refocusing happens from the console during a live show instead of sending someone up a ladder with a lens ring — and the fixture holds its focus, since there is no manual ring to be knocked off position in transit.
Dimming is 0–100% linear and flicker-free. That is a specification that only matters when a camera is involved: fixtures that flicker or step visibly produce banding and rolling artefacts on film, at high frame rates and in slow motion. Because the dimming curve stays clean, the 200ZM is safe to put in front of a broadcast camera, on a photography backdrop or in a studio, not just over a live audience. The electronic strobe runs from slow to fast on its own channel.
The fixture offers DMX channels of 3/4/5/6/7CH across single and dual-color modes, with Auto fade, jump and pulse programs plus sound-active built in. The built-in programs and sound mode mean the fixture can produce a look with no controller on site at all — useful for decor, a small venue or a permanent installation. Adding a desk unlocks the dual-color channels, the focus channel and independent strobe control.
Thermal protection is adjustable, with a default cut-off at 60°C and a range from 40°C to 70°C. On paper that looks like a minor setting; in practice it is the difference between a fixture that shuts itself down in a hot overhead rig and one that keeps working because the cut-off has been set for the environment it is actually in. The housing is aluminum, which is what pulls heat out of the emitter in the first place.
In addition to full DMX512, the fixture can be operated directly from manual knobs and buttons on the body. That covers two very different users: a crew that needs a quick local adjustment without walking to a desk, and a venue, hall or studio that owns the fixture but has no lighting console at all. Power draw is 200W maximum on AC 90–240V at 50/60Hz, so it runs on US and EU mains, and the body weighs 5.8 kg with a packaging size of 260 × 260 × 500 mm.
| Input power | AC 90–240V, 50/60Hz |
| Power consumption | 200W Max |
| Voltage range | Universal — works on US and EU mains |
| LED | 200W Citizen COB |
| Color temperature | 3200K–6000K adjustable (dual-color version) |
| Average lifespan | 50,000 hours |
| Beam angle | 15°–60° (motorized zoom via DMX, 0–255) |
| Focus | Motorized beam-size adjustment |
| Dimming | 0–100% linear, flicker-free |
| Strobe | Electronic, variable speed (slow → fast) |
| Protocol | DMX512 + manual (knob/button) |
| DMX channels | 3/4/5/6/7CH (single & dual-color modes) |
| Built-in | Auto fade/jump/pulse programs + sound-active |
| Thermal protection | Adjustable, default 60°C cut-off (range 40°C–70°C) |
| Housing | Aluminum |
| Protection | IP20 (indoor) — indoor use only |
| Net weight | 5.8 kg |
| Packaging size | 260 × 260 × 500 mm |
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