384CH 16-fader DMX console running 12 fixtures over 384 channels, with 240 scenes and 6 chase banks built in. The HEMERA DMX C384 is a popular choice for DJ booths, churches and small venue rigs.
From $99.00
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384 Channels Over 12 Fixtures32CH Each
Enough universes for a band rig or a club system without moving up a price bracket
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240 Scenes In 30 Banks8 Per Bank
A full show stored on the desk, called back with one fader
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6 Chase Banks, 240 Steps EachRecordable
Record chases with their own fade times and speeds straight on the desk
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16 Faders Instead Of MenusDirect Control
Hands-on control over the channels, which is what a live show actually needs
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Sound-Active And MIDINo Laptop
Runs itself from the built-in mic or auto mode, with MIDI and blackout on 3-pin XLR
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Shop by use case: Club & Bar · DMX Controller
From $99.00
Each of the 12 fixture positions can carry up to 32 DMX channels, so a rig of moving heads, washes and effect lights all lives on one desk. That is 384 channels of control from a single console — enough for a four-piece band with a backline of lights, or a DJ booth running pars, derbies and strobes together. Patch each fixture once, save it, and stop swapping between two desks in the dark.
Thirty banks of eight scenes give you 240 static looks to build before the doors open. Store one for the walk-in, one for each song, one for the toasts and one for the last dance, then step through them in order without touching a fader. It is the difference between running a show and improvising one — and for wedding and church work, where the same set list repeats every weekend, that library earns its keep in the first month.
Chases are where the movement comes from. The C384 holds 6 chase banks and each one runs up to 240 steps, so you can build a color roll across the whole rig, a slow pan sweep, or a fast strobe run that snaps on the beat. Up to 6 chases can be recorded with their own fade time and speed, then fired by hand the moment the chorus lands.
Sixteen sliders put 16 channels directly under your fingers. You can ride the master, pull two fixtures down for a solo and push the back truss to full without ever leaving the live page. Fade time and speed sliders sit alongside, so scene changes can be as slow or as instant as the song needs — smooth look changes for theatre, hard cuts for a club.
A built-in microphone lets the controller trigger effects from the music itself, so the lights move with the kick drum while nobody stands at the desk. Auto mode walks through your stored scenes using the fade time sliders instead. For a solo DJ, a one-man band, or a volunteer running sound and lights at the same time, those two modes decide whether there is a show at all.
MIDI control covers banks, chases and blackout, so the desk can be driven from a sequencer or a foot controller when both hands are occupied. DMX in and out run on 3-pin XLR — the cable every band, venue and rental house already has in the case. Blackout is always one button away, which matters the second something goes wrong on stage.
Single units ship at $99. A BOX OF 4PCS at $389 brings the cost per desk down, which suits rental companies and multi-room venues that keep a controller on every stage. Both options are in stock, ship free across the USA and carry a 1-year warranty with a 30-day return policy.
Controllers keep small rigs manageable: DJ booths, small venues, churches, schools and rental racks — one desk patched, one show ready to run.
Each of the 12 fixture positions can carry up to 32 DMX channels, so a rig of moving heads, washes and effect lights all lives on one desk. That is 384 channels of control from a single console — enough for a four-piece band with a backline of lights, or a DJ booth running pars, derbies and strobes together. Patch each fixture once, save it, and stop swapping between two desks in the dark.
Thirty banks of eight scenes give you 240 static looks to build before the doors open. Store one for the walk-in, one for each song, one for the toasts and one for the last dance, then step through them in order without touching a fader. It is the difference between running a show and improvising one — and for wedding and church work, where the same set list repeats every weekend, that library earns its keep in the first month.
Chases are where the movement comes from. The C384 holds 6 chase banks and each one runs up to 240 steps, so you can build a color roll across the whole rig, a slow pan sweep, or a fast strobe run that snaps on the beat. Up to 6 chases can be recorded with their own fade time and speed, then fired by hand the moment the chorus lands.
Sixteen sliders put 16 channels directly under your fingers. You can ride the master, pull two fixtures down for a solo and push the back truss to full without ever leaving the live page. Fade time and speed sliders sit alongside, so scene changes can be as slow or as instant as the song needs — smooth look changes for theatre, hard cuts for a club.
A built-in microphone lets the controller trigger effects from the music itself, so the lights move with the kick drum while nobody stands at the desk. Auto mode walks through your stored scenes using the fade time sliders instead. For a solo DJ, a one-man band, or a volunteer running sound and lights at the same time, those two modes decide whether there is a show at all.
MIDI control covers banks, chases and blackout, so the desk can be driven from a sequencer or a foot controller when both hands are occupied. DMX in and out run on 3-pin XLR — the cable every band, venue and rental house already has in the case. Blackout is always one button away, which matters the second something goes wrong on stage.
Single units ship at $99. A BOX OF 4PCS at $389 brings the cost per desk down, which suits rental companies and multi-room venues that keep a controller on every stage. Both options are in stock, ship free across the USA and carry a 1-year warranty with a 30-day return policy.
Controllers keep small rigs manageable: DJ booths, small venues, churches, schools and rental racks — one desk patched, one show ready to run.
| DMX standard | DMX512/1990 |
| DMX connection | 3-pin XLR (DMX in / out) |
| MIDI | MIDI control over banks, chases and blackout |
| Fixture control | 12 intelligent lights, up to 32 channels each |
| Total channels | 384 |
| Sliders | 16 faders for direct channel control |
| Bank structure | 30 banks, 8 scenes per bank |
| Total scenes | 240 scenes |
| Chase banks | 6 chase banks |
| Steps per chase | Up to 240 steps |
| Chase recording | Up to 6 chases, each with fade time and speed |
| Music mode | Built-in microphone |
| Auto mode | Program controlled by the fade time sliders |
| Blackout | Triggerable from the desk or over MIDI |
| Work light | LED gooseneck lamp |
| End housing | Plastic end housing |
| Weather rating | No IP rating — indoor control positions only |
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